Social constructionism is the idea that we all have our own slightly different version of the world around us. For this week’s discussion, let’s talk about this more.

Social constructionism is the idea that we all have our own slightly different version of the world around us. For this week’s discussion, let’s talk about this more.

  • How do we create our own realities?
  • Is it OK that everyone’s reality just a bit different?
  • What role does social media play in social constructionism?

only need 1 paragraph

Week Two Presbycusis Paper

Week Two Presbycusis Paper

Presbycusis is a condition affecting the hearing of many adults. There are a variety of causes, including damage to structures of the middle and inner ear. The result is loss of hearing—not complete deafness, but difficulty in detecting certain sounds within the normal range of hearing. Use each numbered item as a required subheading in your paper. Students should preview the grading rubric before beginning the assignment.

1. explain how normal hearing occurs. Include in your discussion the following points:

o How is sound transmitted from the environment outside the body to the inner ear? What structures are involved, and how do they transmit sound?

o What happens in the inner ear (cochlea) when sound waves are converted to neural signals? How is sound frequency (pitch) processed?

2. Next, summarize the causes of presbycusis and explain how they will interfere with the normal processing of sound as outlined above.

o Discuss one source of presbycusis involving a problem with the outer/middle ear.

o Discuss one source of presbycusis involving a problem with the inner ear.

3. Finally, describe what it might be like to have presbycusis. Include the following points:

o If you have normal hearing now, how would your ability to converse with others be affected?

o What activities that you now enjoy would be limited by this condition?

o How would such a condition affect your work life?

The paper should include:

· Be a minimum of 3.5 and a maximum of 4.5 full pages, size 12 font Times New Roman, double spaced with 1 inch margins, NOT including the Title and References pages.

· A title page

· Include the sub headings of: “Introduction”, “How Normal Hearing Occurs”, “Causes of Presbycusis”, “Having Presbycusis”, and “Conclusions”.

·  Introductory paragraph ending in a clear thesis statement

· Several well-developed (5-7 sentences) body paragraphs that explore the assignment questions in detail

· A summary and conclusions paragraph

· Three references, two of which cannot be from the class readings.

Be sure to submit your project in one Word document in APA 7th ed.

READING

 https://www.youtube.com/embed/NET2xZ5zRXI?wmode=opaque&rel=0

 https://openstax.org/books/biology-2e/pages/36-introduction

 https://saylordotorg.github.io/text_introduction-to-psychology/s08-sensing-and-perceiving.html

Introduction

Topics to be covered include:

· The components of sound and how they interact

· The function of the cochlea

· Localization of sound

In this lesson, we will learn more about sound and the auditory systems that sound waves pass through as they are transmuted to signals the brain can understand. Sound travels as vibrations through the outer and middle ears before it is transmuted to electrical signals in the inner ear. We will also look at how we are able to identify where a sound came from, and how sound hits each of our ears.

How We Rely on Sound

A close up of a microphone

For many, sight is the first sense we rely on. We see something and go by what we see. Yet, we cannot always see something, and what we perceive based on our sight is not always accurate. So, which sense do we rely on more than we realize? We can hear in the dark, and while we can be fooled by sounds, we might be a little more cautious with what we hear as opposed to what we see. We use our hearing to listen to and identify different sounds. Some sounds are enjoyable, and others might be a little too loud, or have an unpleasant sound, like a siren or a child playing the same note on a recorder for the fiftieth time trying to get it just right.

Yet, let’s look at an example that will help us explain sound and auditory perception. We are at a concert for second grade children playing their recorders, the plastic flute-like instruments elementary children often learn to play notes on. A couple of children seem to be doing better than others, and have solo parts. Parents scramble to record their children and happily move to the sounds that fill the auditorium. Of course, some visitors might not conclude that the recorders are quite as melodious as they listen to the concert. In each case, pressure changes in the air create the stimulus for hearing, similar to how light is processed by visual senses. This change in air pressure activates the auditory senses. The information travels through the outer ear to the middle ear, then to the inner ear. The information is processed and sent through brains systems to create a perceptual experience. We have systems that help us determine where the sound comes from, based on how quickly it hits an ear, and which ear it hits first. In some ways, this information is more reliable than visual senses.

Physical and Perceptual Definitions of Sound

A graph representing sound, with time on the x-axis and air pressure on the y-axis

This video shows how sounds are produced and how you hear them: What is Sound?

Open file: Transcript

1/5 ›

· The Stimulus

Like vision, sound begins with a distal stimulus. In our example, the distal stimulus would be the sound of the recorder. The vibration of the recorder causes changes in the air that trigger auditory organs to process this representation of sound and send it to the brain. This sound is physically based on the pressure changes that occur as the sound is emitted from the distal stimulus (Goldstein & Brockmole, 2017). The sound is also perceptually based on our experience– we perceive the recorder sound as wonderful (if you are mom), or as perhaps a little annoying (if you are anyone other than mom). So, we have the recorder vibrating with a frequency of 1,000 Hertz (Hz), which is the physical stimulus, and the experience of sound based on your enjoyment of the recorder concert (Goldstein & Brockmole, 2017).

Loudness and Pitch

An audibility graph showing the dB level needed to hear sounds of different frequencies

The frequency of sound is on the horizontal axis; the dB levels at which we can hear each frequency is on the vertical axis.

· LOUDNESS

· PITCH

· TIMBRE

The amplitude of a sound is expressed in dB. The perceptual aspect of the sound stimulus loudness is related to the level of an auditory stimulus. The higher the dB the louder we perceive a sound, but this varies with the frequency of the sound. The audibility curve indicates the range of frequencies we can hear. Underneath the audibility curve we would not be able to hear talk, but above the curve we can hear tones. This area above the curve is called the auditory response area. The area above the upper range of the audibility curve is the threshold of feeling, which is an area where the amplitudes are so high that we can feel them, and they would likely cause us pain, but we wouldn’t necessarily hear them (Goldstein & Brockmole, 2017). How many of you have ever heard of a dog whistle? The amplitude of a dog whistle is so high that we, as humans, cannot hear it but dogs can. Dogs can hear frequencies higher in the human audibility curve. As you get older, the range of frequencies you can hear shrinks. You can test your hearing at: Hearing Test. (transcript not yet available)

The video plays sounds of the frequency indicated on the screen. Watch the video until you can hear the sound. That is the lower threshold of your hearing. Towards the end of the video you will probably find that you cannot hear sounds above a certain frequency.

The Journey through the Ear

1/3 ›

· The anatomy of the ear as described in this section.

THE OUTER EAR

Now that we have seen sound travel from the distal stimulus to the ear, it is time to see happens once it reaches the ear. We took an abbreviated journey through the ear in Lesson 1 and now we will look at this journey in more detail. The journey begins with the outer ear. The structure of the outer ear that we all see is called the pinna (plural pinnae). From the pinnae sound travels through the auditory canal, which is the tube-like recess that leads to the eardrum, also called the tympanic membrane. When you find wax in your ear, you find it in the auditory canal. The purpose of the wax and the small size of the canal is to protect the eardrum. The auditory canal also enhances the intensity of sound through resonance. Resonance is a result of the interaction between soundwaves reflected back from the close end of the auditory canal with new soundwaves entering the canal (Goldstein & Brockmole, 2017).

Vibrations and Electrical Signals

The organ of Corti

· FROM SOUND TO ELECTRICAL SIGNALS TO BRAIN

· PLACE THEORY

· FREQUENCY TUNING CURVE

· COCHLEAR AMPLIFIER

As sound vibrations move through the stapes and press against the oval window, the oval window begins a back-and-forth motion that transmit the vibrations to the liquid inside the cochlea, which, in turn, sets the basilar membrane into an up and down motion. Remember that the basilar membrane lies below the organ of Corti, so the up and down motions cause the organ of Corti to move up and down also. The organ of Corti in turn causes the tectorial membrane to move back and forth just above the outer hair cells. At this point, the vibrations are transformed into electrical signals, beginning the process of transduction. As the cilia of the hair cells bend in one direction structures called tip links are stretched, opening tiny ion channels in cilia membranes. When its channels are open, positive ions flow into the cell and create an electric signal. When the cilia bend in the opposite direction, the tip links go slack, ion channels close and the electrical signal stops. This causes alternating bursts of electrical signals and no electrical signals as the tip links stretch and then slacken. When signals are sent, neurotransmitters are released to cross the synapse between the inner hair cells and the auditory nerve fibers, which causes the nerve fibers to fire. If you think about this, you see a pattern. The auditory nerve fibers fire with the rising and falling pressure of a pattern from a pure tone. When the auditory nerve fibers fire at the same place in the sound stimulus is called phase locking (Goldstein & Brockmole, 2017).

Frequency Theory

Remember that pitch is concerned with the quality of the sound described as high or low. This is determined based on the frequency, which we have just seen is impacted by place. So, what is pitch impacted by? One other theory is frequency theory, which proposes that the frequency of the sound wave throughout the basilar membrane is the same as the firing rate of the hair cells. If, for example, a frequency of the sound is 300 Hz, the firing rate of the hair cells across the basilar membrane would be 300 pulses per second. So, if we put the place theory and the frequency theory together, what would we get? Research has determined that specific locations on the basilar membrane match specific sound wave frequencies – except for the lower ones. The lower ones seem to match the frequency theory and the firing rate of the entire basilar membrane. There is a maximum firing rate for nerve cells, and cells take turns firing, which increases the maximum firing rate for all of the cells in the group. This process is called the volley principle, and between place theory, frequency theory, and the volley principle, we can see how information is processed by the brain to perceive pitch (Griggs, 2016).

A graph representing sound, with time on the x-axis and air pressure on the y-axis

This video shows how sounds are produced and how you hear them: What is Sound?

Open file: Transcript

2/5 ›

· Vibrating Objects Create Sound

You might be wondering where that 1,000 Hz frequency information came from. Let’s go through the process. The sound stimulus occurs as the vibrations of an object, such as the recorder, cause changes in pressure in air, water, or any other source that can transmit the vibrations. As the vibrating object moves towards the listener, the surrounding air molecules are pushed together, called condensation. Condensation causes a slight increase in density of the molecules near the distal stimulus. This increased density increases the air pressure in a small area. As the vibrating object moves away from the listener, the air molecules in its path become less dense. This process is called rarefaction. In the area of decreased density there is a slight decrease in air pressure too. These changes in pressure are similar to ripples in the water. So, as our recorder player plays notes the sound vibrates out in ripples. If you look at water that has ripples you see areas of peaks and valleys in the ripples. This would be similar to condensation with the peaks and rarefaction with the valleys. Now, these ways create air pressure changes and move outward but the air molecules that fill in that space just moved back and forth but stay in the same space (Goldstein & Brockmole, 2017). This goes back to the example of ripples in the water. While the ripples go up and down the water does not actually move forward.

Loudness and Pitch

An audibility graph showing the dB level needed to hear sounds of different frequencies

The frequency of sound is on the horizontal axis; the dB levels at which we can hear each frequency is on the vertical axis.

· LOUDNESS

· PITCH

· TIMBRE

The amplitude of a sound is expressed in dB. The perceptual aspect of the sound stimulus loudness is related to the level of an auditory stimulus. The higher the dB the louder we perceive a sound, but this varies with the frequency of the sound. The audibility curve indicates the range of frequencies we can hear. Underneath the audibility curve we would not be able to A graph representing sound, with time on the x-axis and air pressure on the y-axis

This video shows how sounds are produced and how you hear them: What is Sound?

Open file: Transcript

3/5 ›

· Components of a Sound Wave

Now, we are going to look at the components of sound waves. Let’s start with a pure tone, a simple soundwave that occurs when changes in air pressure oscillates in a pattern called a sine wave. The graph shown here is a sine wave. The high-pitched notes produced by flute would be likely to produce something similar to pure tones. With your pure tones, the vibration in and out of the sound occurs in a sine-wave motion. This vibration would be measured by the frequency, or the number of cycles per second that the pressure changes repeat, and the amplitude, which is the size of the pressure change. Frequency is measured in units called Hertz (Hz), where 1 Hz is one cycle per second). Amplitude in seen as half of the distance between the high peak and low valleys of the sound wave, which is the magnitude of the pressure change, as is labelled in the graph. The amplitude range in our world can be very high. It can range from barely a whisper to the roar of a jet engine. Because this range is so large, is measured in units of sound called decibels (dB), which can convert these large ranges into numbers that are easier to manage (Goldstein & Brockmole, 2017).

Loudness and Pitch

An audibility graph showing the dB level needed to hear sounds of different frequencies

The frequency of sound is on the horizontal axis; the dB levels at which we can hear each frequency is on the vertical axis.

· LOUDNESS

· PITCH

· TIMBRE

As we talk about pitch, we will go back to our recorder concert. Pitch is the quality of sound that is perceived as either “high” or “low” (Goldstein & Brockmole, 2017). For pure tones, the higher the frequency, the higher the pitch. So how does this relate to the recorder concert? Most sounds that we hear are produced by a combination of sources with different frequencies. Suppose you hear a sound with the second and third harmonics, but not the fundamental frequency. Our brains perceive the pitch of the fundamental frequency. This is called the effect of the effect of the missing fundamental (Goldstein & Brockmole, 2017). To illustrate this, think about our recorder solo during the concert. Let’s say the recorder hits a long high tone, then two more recorders are added that play lower notes. The noise of these two new recorders playing a different note reduces the ability to distinguish the higher harmonics of the initial solo recorder, but the tones pitch remains the same for that recorder.

· Mathematical Description

The various components of soundwaves include some math. Looking back, remember that 1 Hz is one cycle per second. So, if we have 100 Hz it would be 100 impulses per second. The range for human hearing, or what we are able to perceive as sound is between 20 to 20,000 Hz (Goldstein & Brockmole, 2017).

That seems pretty straightforward, right? Now, let’s move on to dB. With dB conversion we use a logarithmic equation:

decibel bracket(dB)=20sub(log,10) frac(p,sub(p,0))

Which is easier to manage. Using this equation, p is the measured pressure of a sound wave, and p0 is reference pressure, which is the lowest pressure the average human can hear a sound with a frequency of 1,000Hz, and is normally set at 20 micropascals (m).

Sound pressure (p) = 2,000 micropascals:

decibel bracket(dB)=20sub(log,10) frac(p,sub(p,0))=20 logfrac(2000,20)

=20log bracket(100)=20bracket(2)=40 dB

Loudness and Pitch

An audibility graph showing the dB level needed to hear sounds of different frequencies

The frequency of sound is on the horizontal axis; the dB levels at which we can hear each frequency is on the vertical axis.

· LOUDNESS

· PITCH

· TIMBRE

While missing harmonics do not impact the tone’s pitch, the removal of them does change the tone’s timbre. Timbre is the quality that allows us to distinguish between two tones that have the same loudness, pitch, and duration, but are different nonetheless (Goldstein & Brockmole, 2017). The recorder has a loudness that is similar to that of a flute. If someone played a recorder with the same loudness, pitch, and duration as someone playing a flute at the same time, you would still be able to tell the difference between the two. If the concert was recorded and the beginning and ending sounds were removed from the recording, it might be difficult to determine that there is a flute and a recorder involved. The beginning of the tone as it builds up is called the tone’s attack while the end of the tone as the sound diminishes is called the tone’s decay (Goldstein & Brockmole, 2017).

Up to now, we have been discussing pure tones and harmonics created by instruments, both of which have repetitive patterns of pressure changes. These are called periodic sounds. There are also sounds that do not have repetitive patterns of pressure changes, called aperiodic sounds. Aperiodic sounds are complex sounds that would occur when dropping a book or hearing static on the radio. If one of our concert performers dropped their recorder, the sound the recorder made when it dropped would be an aperiodic sound (Goldstein & Brockmole, 2017).

hear talk, but above the curve we can hear tones. This area above the curve is called the auditory response area. The area above the upper range of the audibility curve is the threshold of feeling, which is an area where the amplitudes are so high that we can feel them, and they would likely cause us pain, but we wouldn’t necessarily hear them (Goldstein & Brockmole, 2017). How many of you have ever heard of a dog whistle? The amplitude of a dog whistle is so high that we, as humans, cannot hear it but dogs can. Dogs can hear frequencies higher in the human audibility curve. As you get older, the range of frequencies you can hear shrinks. You can test your hearing at: Hearing Test. (transcript not yet available)

The video plays sounds of the frequency indicated on the screen. Watch the video until you can hear the sound. That is the lower threshold of your hearing. Towards the end of the video you will probably find that you cannot hear sounds above a certain frequency.

From the Cochlea to the Brain

The auditory pathway

Now that we have seen what happens in the cochlea, let’s move out of the cochlea and continue toward the brain. The auditory nerve carries the signal away from the cochlea toward a sequence of subcortical structures. The first structure is the cochlear nucleus, and then the superior olivary nucleus in the brain stem. This signal then moves to the inferior colliculus located in the midbrain, and then on to the medial geniculate nucleus in the thalamus. The signal continues from the thalamus to the primary auditory cortex in the temporal lobe. While the exact location of the brain specifically responsible for response to pitch, the most responsive area seems to be the anterior auditory cortex, which is an area close to the front of the brain (Goldstein & Brockmole, 2017).

Hearing Loss

A graph showing the hearing loss of workers in a noisy weaving factory

This graph demonstrates the hearing damage for workers in a noisy weaving factory. dBA is another abbreviation of dB.

So far, we have looked at the process for normal hearing. What if someone experiences a loss of hearing? How does that happen? Most hearing loss is associated with the outer hair cells, and damage to auditory nerve fibers. Damage to outer hair cells results in a loss of sensitivity in the basilar membrane, making it harder for someone to separate sounds, such as hearing a door close during a concert. Inner hair cell damage can also result in loss of sensitivity.

One form of hair loss is presbycusis, which is caused by damage to hair cells from extended exposure to loud noise, ingestion of substances that can cause hair cell damage, and age-related degeneration. There is a loss of sensitivity that is more pronounced at higher frequencies with presbycusis, and tends to have a higher prevalence in males than females. Noise-induced hearing loss is another form of hearing degeneration resulting from loud noises. In this case, the damage often involves the organ of Corti. It is also possible to have hearing loss that is not indicated by standard hearing test results, called hidden hearing loss. Standard hearing tests often measure hair cell function, which might not indicate issues with complex sounds (Goldstein & Brockmole, 2017).

Perception of Sound

We have covered perception of sound based on pitch, frequency and amplitude, so now what about how we perceive where a sound comes from? Imagine you are at the concert and you hear a baby crying in the audience. You turn your head to the left and see the parent quickly ferrying the child out of the auditorium. You knew where to look based on auditory localization. Now, let’s say you are in the school’s waiting room, waiting with other parents for your child’s name to be called so you can pick them up. It is a small room with quite a few parents, and when the teacher calls your name, you are able to hear it the first time, even though it travels two different paths – directly from the teacher’s mouth to your ears, and by bouncing off the walls of the small room. The fact that your auditory perception relies mainly on the direct path is called precedence effect. Think about this small, noisy waiting room again. Many parents are talking to each other. You are speaking with two parents, and are able to hear what they are saying even though others are talking all around you. Your ability to segregate your conversation from the other conversations in the area is called auditory stream segregation (Goldstein & Brockmole, 2017).

Localization of Sound

Let’s think back to our first scenario where we heard the baby crying while the concert recorder band is playing. You hear sounds from two different directions, which creates an auditory space When you locate the sound of the baby in that auditory space, it is called auditory localization. If you think about the baby’s cry and the sound of the recorders, you will see that they are different and would stimulate different hair cells and nerve fibers in the cochlea. Thus, the auditory system uses location cues created by the way the sound interacts with your head and ears. The two location cues are binaural cues, which depend on information from both ears, and monaural cues, which depends on information from just one ear. Research indicates three dimensions are involved in location of sound: the azimuth, extending from left to right, the elevation, extending up and down, and the distance the sound travels from its source to the person listening to it.

Binaural cues use the time it takes to reach both ears to determine horizontal positions (left or right), but they do not help with vertical information (azimuth). There are two types of binaural cues, interaural level difference, which is based on the difference in sound level, and interaural time difference, which is based on the difference between the time it takes for a sound to reach the left ear, and the time it takes for a sound to reach the right ear. Both time and level differences can be the same at different elevations, which means they do not account for the elevation of a sound, causing a place of ambiguity, or cone of confusion. Information using monaural cues can locate sounds at different elevations using the spectral cue (Goldstein & Brockmole, 2017).

NEURAL SIGNALS

Now that we have identified different cues, think about how they might send and receive signals through neural circuits. One theory, the Jeffress model, proposes that neurons used to transmit signals from the ears are designed to receive signals from both ears. In other words, each neuron processes signals from both ears. The signals move inward and ultimate meet as the neurons sending the sound from the right ear meet the neurons sending the sound from the left ear. The neuron they meet at are called coincidence detectors because they only fire when both signals meet at the same time. When they meet at the same time at this neuron, the neuron indicates that interaural time difference is zero. If the sound comes from one side first, the signal from the ear on that side begins sending signals before the other ear (Goldstein & Brockmole, 2017).

Auditory Areas of the Brain

Areas of the brain that have been indicated in sound location include the back of the cortex, or posterior belt area, and an area toward the front of the cortex, or the anterior belt area. There seems to be a “what” auditory pathway that extends from the anterior belt to the frontal cortex, and the “where” auditory pathway, which extend from the posterior belt to the frontal cortex. The “what” pathway works with determining what a sound is, and the “where” pathway determines where the sound is coming from (Goldstein & Brockmole, 2017).

BACK TO THE WAITING ROOM

We are going to return to the recorder concert. If the concert had been outside, perception of the sounds would have directly moved from the recorders to your ears, or direct sound. This concert was inside in an auditorium, so sound reached the ears of the parents through the direct path, and by bouncing off of the various surfaces of the auditorium, which is indirect sound. As parents talk to each other in separate groups, adding to a general array of sound sources the environment is called the auditory scene. You are able to separate out and listen to your conversation with another parent even though numerous conversations were going on around you. This ability to separate the sound from each source is called auditory scene analysis.

Imagine that you hear your name from a female voice while you are talking to a parent, and you saw someone open their mouth and look your way at the same time, so you believed the sound of your name came from that person (even though another parent said your name). You did this based on the ventriloquist effect, which occurs when sounds come from one place, but appear to come from another. In this case, you relied more on your vision than your hearing, and you were wrong. On the other side of this, people can use echolocation to detect the positions and shapes of objects without sight. People who cannot see often learn this technique of making a clicking sound and listening for echoes to determine locations and shapes (Goldstein & Brockmole, 2017). These examples show how important hearing is as a source of sensory information.

Conclusion

A simple concert shows us how much we use our hearing in our daily lives. Sound is processed as vibrations that are transported through the outer ear to the middle and then inner ear systems. Systems in the inner ear are responsible for transforming the vibrations into electrical signals that the brain can understand as audio messages. We also have mechanisms that help us determine where a sound is coming from based on which ear the sound arrives at first. Of course, sometimes we can be mistaken. This can happen when our eyes register one thing while our ears register a sound, causing us to make an assumption about where the sound comes from. Sound is important, and our ears can provide information when our eyes cannot, or when our eyes are mistaken.

Sources

Goldstein, E. B. & Brockmole, J. R. (2017). Sensation and perception (10th ed.). Boston, MA: Cengage.

Griggs, R. A. (2016). Psychology: A concise introduction (5th ed.). New York, NY: Worth Publishers.

Image Citations

“A close up of a microphone ” by https://pixabay.com/en/microphone-shure-singing-music-2498641/.

“A graph representing sound, with time on the x-axis and air pressure on the y-axis” by http://oceanexplorer.noaa.gov/explorations/sound01/background/acoustics/media/sinewave_261.jpg.

“An audibility graph showing the dB level needed to hear sounds of different frequencies” by https://upload.wikimedia.org/wikipedia/commons/b/bc/Audible.JPG.

“The anatomy of the ear as described in this section.” by 13699578_ML.

“The middle ear anatomy” by 13699578_ML.

“The anatomy of the cochlea ” by 46938501.

“The organ of Corti” by 73652691.

“The auditory pathway” by 15313015.

“A graph showing the hearing loss of workers in a noisy weaving factory” by https://commons.wikimedia.org/w/index.php?search=threshold+of+hearing&title=Special:Search&profile=default&fulltext=1&searchToken=975xk3qgfyy96u9ixxtnhepzs#/media/File:Permanent_threshold_shift_(hearing_loss)_after_no

Week Two Presbycusis Paper

Week Two Presbycusis Paper

Presbycusis is a condition affecting the hearing of many adults. There are a variety of causes, including damage to structures of the middle and inner ear. The result is loss of hearing—not complete deafness, but difficulty in detecting certain sounds within the normal range of hearing. Use each numbered item as a required subheading in your paper. Students should preview the grading rubric  before  beginning the assignment.

1. explain how normal hearing occurs. Include in your discussion the following points:

· How is sound transmitted from the environment outside the body to the inner ear? What structures are involved, and how do they transmit sound?

· What happens in the inner ear (cochlea) when sound waves are converted to neural signals? How is sound frequency (pitch) processed?

2. Next, summarize the causes of presbycusis and explain how they will interfere with the normal processing of sound as outlined above.

· Discuss one source of presbycusis involving a problem with the outer/middle ear.

· Discuss one source of presbycusis involving a problem with the inner ear.

3. Finally, describe what it might be like to have presbycusis. Include the following points:

· If you have normal hearing now, how would your ability to converse with others be affected?

· What activities that you now enjoy would be limited by this condition?

· How would such a condition affect your work life?

 

The paper should include:

· Be a minimum of 3.5 and a maximum of 4.5 full pages, size 12 font Times New Roman, double spaced with 1 inch margins, NOT including the Title and References pages.

· A title page

· Include the sub headings of: “Introduction”, “How Normal Hearing Occurs”, “Causes of Presbycusis”, “Having Presbycusis”, and “Conclusions”.

·  Introductory paragraph ending in a clear thesis statement

· Several well-developed (5-7 sentences) body paragraphs that explore the assignment questions in detail

· A summary and conclusions paragraph

· Three references, two of which cannot be from the class readings.

Be sure to submit your project in one Word document in APA 7th ed.

READING

https://www.youtube.com/embed/NET2xZ5zRXI?wmode=opaque&rel=0

https://openstax.org/books/biology-2e/pages/36-introduction

https://saylordotorg.github.io/text_introduction-to-psychology/s08-sensing-and-perceiving.html

Introduction

Topics to be covered include:

· The components of sound and how they interact

· The function of the cochlea

· Localization of sound

In this lesson, we will learn more about sound and the auditory systems that sound waves pass through as they are transmuted to signals the brain can understand. Sound travels as vibrations through the outer and middle ears before it is transmuted to electrical signals in the inner ear. We will also look at how we are able to identify where a sound came from, and how sound hits each of our ears.

How We Rely on Sound

A close up of a microphone

For many, sight is the first sense we rely on. We see something and go by what we see. Yet, we cannot always see something, and what we perceive based on our sight is not always accurate. So, which sense do we rely on more than we realize? We can hear in the dark, and while we can be fooled by sounds, we might be a little more cautious with what we hear as opposed to what we see. We use our hearing to listen to and identify different sounds. Some sounds are enjoyable, and others might be a little too loud, or have an unpleasant sound, like a siren or a child playing the same note on a recorder for the fiftieth time trying to get it just right.

Yet, let’s look at an example that will help us explain sound and auditory perception. We are at a concert for second grade children playing their recorders, the plastic flute-like instruments elementary children often learn to play notes on. A couple of children seem to be doing better than others, and have solo parts. Parents scramble to record their children and happily move to the sounds that fill the auditorium. Of course, some visitors might not conclude that the recorders are quite as melodious as they listen to the concert. In each case, pressure changes in the air create the stimulus for hearing, similar to how light is processed by visual senses. This change in air pressure activates the auditory senses. The information travels through the outer ear to the middle ear, then to the inner ear. The information is processed and sent through brains systems to create a perceptual experience. We have systems that help us determine where the sound comes from, based on how quickly it hits an ear, and which ear it hits first. In some ways, this information is more reliable than visual senses.

Physical and Perceptual Definitions of Sound

A graph representing sound, with time on the x-axis and air pressure on the y-axis

This video shows how sounds are produced and how you hear them:  What is Sound?

 

Open file: Transcript

 

1/5 ›

· The Stimulus

Like vision, sound begins with a distal stimulus. In our example, the distal stimulus would be the sound of the recorder. The vibration of the recorder causes changes in the air that trigger auditory organs to process this representation of sound and send it to the brain. This sound is physically based on the pressure changes that occur as the sound is emitted from the distal stimulus (Goldstein & Brockmole, 2017). The sound is also perceptually based on our experience– we perceive the recorder sound as wonderful (if you are mom), or as perhaps a little annoying (if you are anyone other than mom). So, we have the recorder vibrating with a frequency of 1,000 Hertz (Hz), which is the physical stimulus, and the experience of sound based on your enjoyment of the recorder concert (Goldstein & Brockmole, 2017).

Loudness and Pitch

An audibility graph showing the dB level needed to hear sounds of different frequencies

The frequency of sound is on the horizontal axis; the dB levels at which we can hear each frequency is on the vertical axis.

· LOUDNESS

· PITCH

· TIMBRE

The amplitude of a sound is expressed in dB. The perceptual aspect of the sound stimulus  loudness is related to the level of an auditory stimulus. The higher the dB the louder we perceive a sound, but this varies with the frequency of the sound. The  audibility curve  indicates the range of frequencies we can hear. Underneath the audibility curve we would not be able to hear talk, but above the curve we can hear tones. This area above the curve is called the  auditory response area . The area above the upper range of the audibility curve is the threshold of feeling, which is an area where the amplitudes are so high that we can feel them, and they would likely cause us pain, but we wouldn’t necessarily hear them (Goldstein & Brockmole, 2017). How many of you have ever heard of a dog whistle? The amplitude of a dog whistle is so high that we, as humans, cannot hear it but dogs can. Dogs can hear frequencies higher in the human audibility curve. As you get older, the range of frequencies you can hear shrinks. You can test your hearing at:  Hearing Test . (transcript not yet available)

The video plays sounds of the frequency indicated on the screen. Watch the video until you can hear the sound. That is the lower threshold of your hearing. Towards the end of the video you will probably find that you cannot hear sounds above a certain frequency.

The Journey through the Ear

1/3 ›

· The anatomy of the ear as described in this section.

THE OUTER EAR

Now that we have seen sound travel from the distal stimulus to the ear, it is time to see happens once it reaches the ear. We took an abbreviated journey through the ear in Lesson 1 and now we will look at this journey in more detail. The journey begins with the outer ear. The structure of the outer ear that we all see is called the  pinna  (plural pinnae). From the pinnae sound travels through the  auditory canal , which is the tube-like recess that leads to the  eardrum , also called the  tympanic membrane . When you find wax in your ear, you find it in the auditory canal. The purpose of the wax and the small size of the canal is to protect the eardrum. The auditory canal also enhances the intensity of sound through resonance.  Resonance  is a result of the interaction between soundwaves reflected back from the close end of the auditory canal with new soundwaves entering the canal (Goldstein & Brockmole, 2017).

Vibrations and Electrical Signals

The organ of Corti

· FROM SOUND TO ELECTRICAL SIGNALS TO BRAIN

· PLACE THEORY

· FREQUENCY TUNING CURVE

· COCHLEAR AMPLIFIER

As sound vibrations move through the stapes and press against the oval window, the oval window begins a back-and-forth motion that transmit the vibrations to the liquid inside the cochlea, which, in turn, sets the basilar membrane into an up and down motion. Remember that the basilar membrane lies below the organ of Corti, so the up and down motions cause the organ of Corti to move up and down also. The organ of Corti in turn causes the tectorial membrane to move back and forth just above the outer hair cells. At this point, the vibrations are transformed into electrical signals, beginning the process of transduction. As the cilia of the hair cells bend in one direction structures called tip links are stretched, opening tiny ion channels in cilia membranes. When its channels are open, positive ions flow into the cell and create an electric signal. When the cilia bend in the opposite direction, the tip links go slack, ion channels close and the electrical signal stops. This causes alternating bursts of electrical signals and no electrical signals as the tip links stretch and then slacken. When signals are sent, neurotransmitters are released to cross the synapse between the inner hair cells and the auditory nerve fibers, which causes the nerve fibers to fire. If you think about this, you see a pattern. The auditory nerve fibers fire with the rising and falling pressure of a pattern from a pure tone. When the auditory nerve fibers fire at the same place in the sound stimulus is called  phase locking  (Goldstein & Brockmole, 2017).

Frequency Theory

Remember that pitch is concerned with the quality of the sound described as high or low. This is determined based on the frequency, which we have just seen is impacted by place. So, what is pitch impacted by? One other theory is  frequency theory , which proposes that the frequency of the sound wave throughout the basilar membrane is the same as the firing rate of the hair cells. If, for example, a frequency of the sound is 300 Hz, the firing rate of the hair cells across the basilar membrane would be 300 pulses per second. So, if we put the place theory and the frequency theory together, what would we get? Research has determined that specific locations on the basilar membrane match specific sound wave frequencies – except for the lower ones. The lower ones seem to match the frequency theory and the firing rate of the entire basilar membrane. There is a maximum firing rate for nerve cells, and cells take turns firing, which increases the maximum firing rate for all of the cells in the group. This process is called the volley principle, and between place theory, frequency theory, and the volley principle, we can see how information is processed by the brain to perceive pitch (Griggs, 2016).

 

A graph representing sound, with time on the x-axis and air pressure on the y-axis

This video shows how sounds are produced and how you hear them:  What is Sound?

 

Open file: Transcript

 

2/5 ›

· Vibrating Objects Create Sound

You might be wondering where that 1,000 Hz frequency information came from. Let’s go through the process. The sound stimulus occurs as the vibrations of an object, such as the recorder, cause changes in pressure in air, water, or any other source that can transmit the vibrations. As the vibrating object moves towards the listener, the surrounding air molecules are pushed together, called  condensation . Condensation causes a slight increase in density of the molecules near the distal stimulus. This increased density increases the air pressure in a small area. As the vibrating object moves away from the listener, the air molecules in its path become less dense. This process is called  rarefaction . In the area of decreased density there is a slight decrease in air pressure too. These changes in pressure are similar to ripples in the water. So, as our recorder player plays notes the sound vibrates out in ripples. If you look at water that has ripples you see areas of peaks and valleys in the ripples. This would be similar to condensation with the peaks and rarefaction with the valleys. Now, these ways create air pressure changes and move outward but the air molecules that fill in that space just moved back and forth but stay in the same space (Goldstein & Brockmole, 2017). This goes back to the example of ripples in the water. While the ripples go up and down the water does not actually move forward.

Loudness and Pitch

An audibility graph showing the dB level needed to hear sounds of different frequencies

The frequency of sound is on the horizontal axis; the dB levels at which we can hear each frequency is on the vertical axis.

· LOUDNESS

· PITCH

· TIMBRE

The amplitude of a sound is expressed in dB. The perceptual aspect of the sound stimulus  loudness is related to the level of an auditory stimulus. The higher the dB the louder we perceive a sound, but this varies with the frequency of the sound. The  audibility curve  indicates the range of frequencies we can hear. Underneath the audibility curve we would not be able to A graph representing sound, with time on the x-axis and air pressure on the y-axis

This video shows how sounds are produced and how you hear them:  What is Sound?

 

Open file: Transcript

 

3/5 ›

· Components of a Sound Wave

Now, we are going to look at the components of sound waves. Let’s start with a  pure tone , a simple soundwave that occurs when changes in air pressure oscillates in a pattern called a  sine wave . The graph shown here is a sine wave. The high-pitched notes produced by flute would be likely to produce something similar to pure tones. With your pure tones, the vibration in and out of the sound occurs in a sine-wave motion. This vibration would be measured by the  frequency , or the number of cycles per second that the pressure changes repeat, and the  amplitude , which is the size of the pressure change. Frequency is measured in units called Hertz (Hz), where 1 Hz is one cycle per second). Amplitude in seen as half of the distance between the high peak and low valleys of the sound wave, which is the magnitude of the pressure change, as is labelled in the graph. The amplitude range in our world can be very high. It can range from barely a whisper to the roar of a jet engine. Because this range is so large, is measured in units of sound called decibels (dB), which can convert these large ranges into numbers that are easier to manage (Goldstein & Brockmole, 2017).

Loudness and Pitch

An audibility graph showing the dB level needed to hear sounds of different frequencies

The frequency of sound is on the horizontal axis; the dB levels at which we can hear each frequency is on the vertical axis.

· LOUDNESS

· PITCH

· TIMBRE

As we talk about pitch, we will go back to our recorder concert.  Pitch  is the quality of sound that is perceived as either “high” or “low” (Goldstein & Brockmole, 2017). For pure tones, the higher the frequency, the higher the pitch. So how does this relate to the recorder concert? Most sounds that we hear are produced by a combination of sources with different frequencies. Suppose you hear a sound with the second and third harmonics, but not the fundamental frequency. Our brains perceive the pitch of the fundamental frequency. This is called the effect of the  effect of the missing fundamental  (Goldstein & Brockmole, 2017). To illustrate this, think about our recorder solo during the concert. Let’s say the recorder hits a long high tone, then two more recorders are added that play lower notes. The noise of these two new recorders playing a different note reduces the ability to distinguish the higher harmonics of the initial solo recorder, but the tones pitch remains the same for that recorder.

· Mathematical Description

The various components of soundwaves include some math. Looking back, remember that 1 Hz is one cycle per second. So, if we have 100 Hz it would be 100 impulses per second. The range for human hearing, or what we are able to perceive as sound is between 20 to 20,000 Hz (Goldstein & Brockmole, 2017).

That seems pretty straightforward, right? Now, let’s move on to dB. With dB conversion we use a logarithmic equation:

decibel bracket(dB)=20sub(log,10) frac(p,sub(p,0))

Which is easier to manage. Using this equation, p is the measured pressure of a sound wave, and p0 is reference pressure, which is the lowest pressure the average human can hear a sound with a frequency of 1,000Hz, and is normally set at 20 micropascals (m).

Sound pressure (p) = 2,000 micropascals:

decibel bracket(dB)=20sub(log,10) frac(p,sub(p,0))=20 logfrac(2000,20)

=20log bracket(100)=20bracket(2)=40 dB

Loudness and Pitch

An audibility graph showing the dB level needed to hear sounds of different frequencies

The frequency of sound is on the horizontal axis; the dB levels at which we can hear each frequency is on the vertical axis.

· LOUDNESS

· PITCH

· TIMBRE

While missing harmonics do not impact the tone’s pitch, the removal of them does change the tone’s timbre. Timbre is the quality that allows us to distinguish between two tones that have the same loudness, pitch, and duration, but are different nonetheless (Goldstein & Brockmole, 2017). The recorder has a loudness that is similar to that of a flute. If someone played a recorder with the same loudness, pitch, and duration as someone playing a flute at the same time, you would still be able to tell the difference between the two. If the concert was recorded and the beginning and ending sounds were removed from the recording, it might be difficult to determine that there is a flute and a recorder involved. The beginning of the tone as it builds up is called the tone’s  attack  while the end of the tone as the sound diminishes is called the tone’s  decay  (Goldstein & Brockmole, 2017).

Up to now, we have been discussing pure tones and harmonics created by instruments, both of which have repetitive patterns of pressure changes. These are called  periodic sounds . There are also sounds that do not have repetitive patterns of pressure changes, called  aperiodic sounds . Aperiodic sounds are complex sounds that would occur when dropping a book or hearing static on the radio. If one of our concert performers dropped their recorder, the sound the recorder made when it dropped would be an aperiodic sound (Goldstein & Brockmole, 2017).

hear talk, but above the curve we can hear tones. This area above the curve is called the  auditory response area . The area above the upper range of the audibility curve is the threshold of feeling, which is an area where the amplitudes are so high that we can feel them, and they would likely cause us pain, but we wouldn’t necessarily hear them (Goldstein & Brockmole, 2017). How many of you have ever heard of a dog whistle? The amplitude of a dog whistle is so high that we, as humans, cannot hear it but dogs can. Dogs can hear frequencies higher in the human audibility curve. As you get older, the range of frequencies you can hear shrinks. You can test your hearing at:  Hearing Test . (transcript not yet available)

The video plays sounds of the frequency indicated on the screen. Watch the video until you can hear the sound. That is the lower threshold of your hearing. Towards the end of the video you will probably find that you cannot hear sounds above a certain frequency.

 

From the Cochlea to the Brain

The auditory pathway

Now that we have seen what happens in the cochlea, let’s move out of the cochlea and continue toward the brain. The auditory nerve carries the signal away from the cochlea toward a sequence of  subcortical structures . The first structure is the  cochlear nucleus , and then the  superior olivary nucleus  in the brain stem. This signal then moves to the  inferior colliculus  located in the midbrain, and then on to the  medial geniculate nucleus  in the thalamus. The signal continues from the thalamus to the  primary auditory cortex  in the temporal lobe. While the exact location of the brain specifically responsible for response to pitch, the most responsive area seems to be the anterior auditory cortex, which is an area close to the front of the brain (Goldstein & Brockmole, 2017).

Hearing Loss

A graph showing the hearing loss of workers in a noisy weaving factory

This graph demonstrates the hearing damage for workers in a noisy weaving factory. dBA is another abbreviation of dB.

So far, we have looked at the process for normal hearing. What if someone experiences a loss of hearing? How does that happen? Most hearing loss is associated with the outer hair cells, and damage to auditory nerve fibers. Damage to outer hair cells results in a loss of sensitivity in the basilar membrane, making it harder for someone to separate sounds, such as hearing a door close during a concert. Inner hair cell damage can also result in loss of sensitivity.

One form of hair loss is  presbycusis , which is caused by damage to hair cells from extended exposure to loud noise, ingestion of substances that can cause hair cell damage, and age-related degeneration. There is a loss of sensitivity that is more pronounced at higher frequencies with presbycusis, and tends to have a higher prevalence in males than females. Noise-induced hearing loss is another form of hearing degeneration resulting from loud noises. In this case, the damage often involves the organ of Corti. It is also possible to have hearing loss that is not indicated by standard hearing test results, called  hidden hearing  loss. Standard hearing tests often measure hair cell function, which might not indicate issues with complex sounds (Goldstein & Brockmole, 2017).

Perception of Sound

We have covered perception of sound based on pitch, frequency and amplitude, so now what about how we perceive where a sound comes from? Imagine you are at the concert and you hear a baby crying in the audience. You turn your head to the left and see the parent quickly ferrying the child out of the auditorium. You knew where to look based on auditory localization. Now, let’s say you are in the school’s waiting room, waiting with other parents for your child’s name to be called so you can pick them up. It is a small room with quite a few parents, and when the teacher calls your name, you are able to hear it the first time, even though it travels two different paths – directly from the teacher’s mouth to your ears, and by bouncing off the walls of the small room. The fact that your auditory perception relies mainly on the direct path is called precedence effect. Think about this small, noisy waiting room again. Many parents are talking to each other. You are speaking with two parents, and are able to hear what they are saying even though others are talking all around you. Your ability to segregate your conversation from the other conversations in the area is called auditory stream segregation (Goldstein & Brockmole, 2017).

Localization of Sound

Let’s think back to our first scenario where we heard the baby crying while the concert recorder band is playing. You hear sounds from two different directions, which creates an  auditory space  When you locate the sound of the baby in that auditory space, it is called  auditory localization . If you think about the baby’s cry and the sound of the recorders, you will see that they are different and would stimulate different hair cells and nerve fibers in the cochlea. Thus, the auditory system uses location cues created by the way the sound interacts with your head and ears. The two location cues are  binaural cues , which depend on information from both ears, and  monaural cues , which depends on information from just one ear. Research indicates three dimensions are involved in location of sound: the  azimuth , extending from left to right, the  elevation , extending up and down, and the  distance  the sound travels from its source to the person listening to it.

Binaural cues use the time it takes to reach both ears to determine horizontal positions (left or right), but they do not help with vertical information (azimuth). There are two types of binaural cues,  interaural level difference , which is based on the difference in sound level, and  interaural time difference , which is based on the difference between the time it takes for a sound to reach the left ear, and the time it takes for a sound to reach the right ear. Both time and level differences can be the same at different elevations, which means they do not account for the elevation of a sound, causing a place of ambiguity, or  cone of confusion . Information using monaural cues can locate sounds at different elevations using the spectral cue (Goldstein & Brockmole, 2017).

NEURAL SIGNALS

Now that we have identified different cues, think about how they might send and receive signals through neural circuits. One theory, the Jeffress model, proposes that neurons used to transmit signals from the ears are designed to receive signals from both ears. In other words, each neuron processes signals from both ears. The signals move inward and ultimate meet as the neurons sending the sound from the right ear meet the neurons sending the sound from the left ear. The neuron they meet at are called  coincidence detectors  because they only fire when both signals meet at the same time. When they meet at the same time at this neuron, the neuron indicates that interaural time difference is zero. If the sound comes from one side first, the signal from the ear on that side begins sending signals before the other ear (Goldstein & Brockmole, 2017).

Auditory Areas of the Brain

Areas of the brain that have been indicated in sound location include the back of the cortex, or posterior belt area, and an area toward the front of the cortex, or the anterior belt area. There seems to be a “ what” auditory pathway  that extends from the anterior belt to the frontal cortex, and the “where” auditory pathway, which extend from the posterior belt to the frontal cortex. The “what” pathway works with determining what a sound is, and the “where” pathway determines where the sound is coming from (Goldstein & Brockmole, 2017).

BACK TO THE WAITING ROOM

We are going to return to the recorder concert. If the concert had been outside, perception of the sounds would have directly moved from the recorders to your ears, or  direct sound . This concert was inside in an auditorium, so sound reached the ears of the parents through the direct path, and by bouncing off of the various surfaces of the auditorium, which is  indirect sound . As parents talk to each other in separate groups, adding to a general array of sound sources the environment is called the auditory scene. You are able to separate out and listen to your conversation with another parent even though numerous conversations were going on around you. This ability to separate the sound from each source is called  auditory scene analysis .

Imagine that you hear your name from a female voice while you are talking to a parent, and you saw someone open their mouth and look your way at the same time, so you believed the sound of your name came from that person (even though another parent said your name). You did this based on the  ventriloquist effect , which occurs when sounds come from one place, but appear to come from another. In this case, you relied more on your vision than your hearing, and you were wrong. On the other side of this, people can use  echolocation  to detect the positions and shapes of objects without sight. People who cannot see often learn this technique of making a clicking sound and listening for echoes to determine locations and shapes (Goldstein & Brockmole, 2017). These examples show how important hearing is as a source of sensory information.

Conclusion

A simple concert shows us how much we use our hearing in our daily lives. Sound is processed as vibrations that are transported through the outer ear to the middle and then inner ear systems. Systems in the inner ear are responsible for transforming the vibrations into electrical signals that the brain can understand as audio messages. We also have mechanisms that help us determine where a sound is coming from based on which ear the sound arrives at first. Of course, sometimes we can be mistaken. This can happen when our eyes register one thing while our ears register a sound, causing us to make an assumption about where the sound comes from. Sound is important, and our ears can provide information when our eyes cannot, or when our eyes are mistaken.

Sources

Goldstein, E. B. & Brockmole, J. R. (2017). Sensation and perception (10th ed.). Boston, MA: Cengage.

Griggs, R. A. (2016). Psychology: A concise introduction (5th ed.). New York, NY: Worth Publishers.

Image Citations

“A close up of a microphone ” by https://pixabay.com/en/microphone-shure-singing-music-2498641/.

“A graph representing sound, with time on the x-axis and air pressure on the y-axis” by  http://oceanexplorer.noaa.gov/explorations/sound01/background/acoustics/media/sinewave_261.jpg .

“An audibility graph showing the dB level needed to hear sounds of different frequencies” by https://upload.wikimedia.org/wikipedia/commons/b/bc/Audible.JPG.

“The anatomy of the ear as described in this section.” by 13699578_ML.

“The middle ear anatomy” by 13699578_ML.

“The anatomy of the cochlea ” by 46938501.

“The organ of Corti” by 73652691.

“The auditory pathway” by 15313015.

“A graph showing the hearing loss of workers in a noisy weaving factory” by  https://commons.wikimedia.org/w/index.php?search=threshold+of+hearing&title=Special:Search&profile=default&fulltext=1&searchToken=975xk

Individual Submission – Identify and Briefly explain the research aims and Objectives in relation to the chosen research topic

Week 3 TASK 1: Individual Submission – Identify and Briefly explain the research aims and Objectives in relation to the chosen research topic

In this formative assignment, you are required to Identify and Explain the logic of choosing your research topic.

For a successful submission please approach the following;

1) Clearly state the Purpose of your study by outlining the research aims and objectives.

2) Research questions or hypotheses may follow after your research purpose.

Please Reference all sources in line with the requirements of APA Referencing.

Word count: 550-600 words;

DUE DATE: 10TH JUNE 2021

Article Review Instructions

Article Review Instructions

 

You will write three article reviews and if you choose, one extra credit article review. You will select the article yourself by searching the UWA Library Databases. The article you choose should be a research article (has a hypothesis that is empirically tested). Pick an article relevant to a topic covered in the weekly readings. Each review is worth 20 points. The review should be 1-2 single-spaced pages in a 12-point font. It is in your best interest to submit your review before it is due so you may check your originality report and correct any spelling and grammatical errors identified by the software program.

The purpose of the review is to provide students knowledge of how research is conducted and reported. The main part of your review needs to include the following information. Please comment on these aspects of the article as part of your review. Provide only the briefest summary of content. What I am most interested in is your critique and connection to weekly readings.

Reference. Listed at the top of the paper in APA style.

Introduction. Read the introduction carefully. The introduction should contain:

· A thorough literature review that establishes the nature of the problem to be addressed in the present study (the literature review is specific to the problem)

· The literature review is current (generally, articles within the past 5 years)

· A logical sequence from what we know (the literature review) to what we don’t know (the unanswered questions raised by the review and what this study intended to answer

· The purpose of the present study

· The specific hypotheses/research questions to be addressed.

· State the overall purpose of the paper. What was the main theme of the paper?

· What new ideas or information were communicated in the paper?

· Why was it important to publish these ideas?

Methods. The methods section has three subsections. The methods sections should contain:

· The participants and the population they are intended to represent (are they described as well in terms of relevant demographic characteristics such as age, gender, ethnicity, education level, income level, etc?).

· The number of participants and how the participants were selected for the study

· A description of the tools/measures used and research design employed.

· A detailed description of the procedures of the study including participant instructions and whether incentives were given.

Results. The results section should contain a very thorough summary of results of all analyses. This section should include:

· Specific demographic characteristics of the sample

· A thorough narrative description of the results of all statistical tests that addressed specific hypotheses

· If there are tables and figures, are they also described in the text?

· If there are tables and figures, can they be interpreted “stand alone” (this means that they contain sufficient information in the title and footnotes so that a reader can understand what is being presented without having to go back to the text)?

Discussion. The discussion is where the author “wraps up the research”. This section should include:

· A simple and easy to understand summary of what was found

· Where the hypotheses supported or refuted?

· A discussion of how the author’s findings compares to those found in prior research

· The limitations of the study

· The implications of the findings to basic and applied researchers and to practitioners

 

Critique.

In your opinion, what were the strengths and weaknesses of the paper or document? Be sure to think about your impressions and the reasons for them. Listing what the author wrote as limitations is not the same thing as forming your own opinions and justifying them to the reader.

· Were the findings important to a reader?

· Were the conclusions valid? Do you agree with the conclusions?

· If the material was technical, was the technical material innovative?

 

Conclusion.

Once you provide the main critique of the article, you should include a final paragraph that gives me your overall impression of the study. Was the study worthwhile? Was it well-written and clear to those who may not have as much background in the content area? What was the overall contribution of this study to our child development knowledge base?

 

APA Format Review

 

If you are unfamiliar or a bit “rusty” on your APA format, you may want to use the tutorial available through the APA website which is listed on your syllabus.

 

 

Grading Criteria

 

I will grade your paper based upon:

1. How well you followed directions (as indicated in this page)

1. How thoroughly you used examples to support the critique

1. How accurately you used APA format

1. your organization, grammar, and spelling

1. Integration of assigned weekly readings

Writing an Article Review

Instructions

Before beginning this assignment review the guidance on “Writing an Article Review

Purpose

The purpose of this assignment is for you to show your understanding of peer-reviewed empirical articles through: 1) reviewing original research; 2) evaluating claims, methods, and conclusions; and 3) communicating your analysis in a way that translates scientific information into common terms for a general audience. In writing an article review, you gain skills in summarizing key points and findings, interpreting results, evaluating the validity of the methods used and results reported, and communicating information to an audience in ways they understand.

Step 1: Read the tips from the UMGC library on “Finding Experimental (Empirical) Research Articles.” Pay special attention to the sections on “Scholarly Research Articles” the “Structure of An Experimental Article”

Step 2: Using the UMGC Library electronic databases, find an article published in the last seven (7) years in an academic, peer-reviewed journal related to the biological basis of psychology, sensation and perception, or memory and cognition (e.g., Journal of Neuroscience, Psychology, & Economics; Behavioral Neuroscience). The article should describe, specifically, an experiment or empirical study by the researchers. This means that the researchers conducted a study that contains easily identifiable independent and dependent variables. (Do not select meta-analyses, summaries, editorials, or theoretical articles.  It is your responsibility to make sure that the journal article you select is appropriate. If you are unsure about the relevance of your article, contact your instructor for approval.).

Step 3: Read the article starting with the Title and Abstract, which will give you a quick preview of the purpose and results of the article.

Step 4: Read the Introduction. Highlight the purpose of the article and the author’s hypothesis (e.g., what was studied, what did the author predicted, and why did they find the topic worthy of study). Pay attention to the context provided for the research (i.e., what research has been done previously in the field? what issue or problem is this study trying to address?).

Step 5: Read the Methods section. Note the description of the participants and any tests, surveys, questionnaires, apparatus, or other materials that were used. Pay particular attention to the details involved in the experimental procedure. How were the variables manipulated or measured? Recall that the Independent Variable (IV) is the variable that is manipulated by the research (i.e., whether the room is hot or cold (if that is the variable of interest) or whether participants are given a placebo, shown any type of media or other stimuli, given talk therapy, or instructed to take medication (if that is the variable of interest). Remember that the Independent Variable is what was different about the experiences of the different groups. Recall also that the Dependent Variable (DV) is that variable that is measured, or, the outcome of the study.

Step 6: Read the Results. Try not to get intimidated by complex statistical analysis. Instead of focusing on the numbers, focus on the short descriptions that accompany the findings explaining what the researchers found (i.e., Did the researchers find evidence that supports their hypothesis?)

Step 7: Read the Discussion. Pay special attention here to what the authors say about the importance of their findings or the lack of findings. Think about other things you could do to look at this issue.

Step 8: Prepare a 1-2 page summary of the article in your own words.  Be sure to address the following questions in your summary:

  • What is the purpose of the research? (Address specifics regarding the overall purpose of the research in question.)
  • What hypothesis is tested? (Provide a clear statement of the researchers’ prediction.)
  • How did the researchers investigate their research question? (Provide details regarding the study methodology.)
  • What are the pertinent results of the manipulation? (What were the findings and conclusions drawn?)
  • What is your personal opinion of the study conducted? Should it be repeated?  What could be improved?
  • What is your overall impression of the work? What are the implications of the study for the practice of counseling psychology?

Your summary should be written as a coherent essay (do not format as a list of answers to these questions). You may include additional insights in your analysis, but you must address these key issues.

Step 9: Prepare your Article Review according to the following guidelines:

Formatting:  Structure your paper utilizing APA style (7th Edition); this includes title page, headingsin-text citations, reference page, and general paper format (1-inch margins, double-spaced, appropriately sized sans serif or serif fonts – e.g., 12 Times Roman).  An abstract is not required.

Submit to your Assignment Folder as a single document in either Microsoft Word, PDF, or RTF format.

For this assignment, use data from W1 Project.ATTACHED

For this assignment, use data from W1 Project.ATTACHED

This week, you will first look to see whether the type of information participants were given, whether consistent or inconsistent with what they viewed in the video, has a bearing on confidence. You will next explore the hypothesis that memory may decay over time.

1. Choose and calculate the appropriate t-test to compare the confidence of participants given consistent feedback with those given inconsistent feedback.

a. Move your output into a Microsoft Word document and write an interpretation of your test following the data output in one paragraph. Be sure to use APA format and write a formal report modeled on the examples given in your lecture.

2. Choose and calculate the appropriate t-test to compare Recall 1 with Recall 3.

a. Move your output into a Microsoft Word document and write an interpretation of your test following the data output in one paragraph. Be sure to use APA format and write a formal report modeled on the examples given in your lecture.

The accuracy of eyewitness testimony has been an area of interest to social scientists.

Introduction

The accuracy of eyewitness testimony has been an area of interest to social scientists. According to Bornstein & Zickafoose, (1999) eyewitnesses are not always accurate. Deoxyribonucleic acid (DNA) evidence has attracted many appeals from individuals in the recent past. About 78 percent of those individuals who were acquitted on this basis had originally been convicted based on strong eyewitness testimony. The misinformation effect remains to be a big challenge to witnesses when recalling information about a criminal. The challenge involves the incorporation of misinformation into an individual’s memory after receiving misleading information about an event (stambor, 2006).

Memory can be constructed based on the information given after the fact and also on suggestive questions. Stress and decay might also play a role in one’s information-recalling ability. A memory may also decay over time and stress may reduce the recalling accuracy(Deffenbacher, Bornstein, Penrod, & McGorty, 2004; Payne, Nadel, Allen, Thomas, & Jacobs, 2002).

Methods and Participants

Participants were randomly assigned to one of three levels of stress: high stress, where they were writing a final exam immediately following their participation in the experiment; medium stress, where they were writing a final exam the day following their participation; and low stress, where their participation came two weeks before their final exam. They were shown one of two different versions of a video of a bank robbery and instructed to pay close attention to detail. All versions shared the same beginning scenario, with two individuals entering a bank to rob it.

The first individual (individual #1) was 5’10” tall and of medium build, wearing blue jeans, a black leather jacket, and black tennis shoes. This individual was wearing a ski mask with the holes around the eyes large enough for the color of the skin, which was white or light colored, to be visible. The second individual (individual #2) was 6’2″ and heavyset, wearing black sweat pants, a red jacket, and dark work boots. This individual was wearing a ski mask identical to that of individual #1. The skin around the eyes was dark. No other skin was visible on either individual. Individual #1 walks to the window and hands the teller a note, bringing up the right hand, which was in the pocket, to simulate a gun. It was unknown whether an actual gun was used.

Individual #2 stayed back a step as if keeping watch. After the teller gave money to the robber, the two robbers left the bank, jumped into a car waiting at the curb, and drove away. In version #1, the car was blue. In version #2, the car was green. Following the viewing of the video, each participant met an individual in the waiting room. This individual (actually a confederate of the experimenter) stated that he or she had lost something and had come back to see whether the experimenter found it. The individual begun a conversation about the video and said, “Did you see that blue (or green, depending on the condition) car they were driving?” Half the time, this question was congruent (the color mentioned by the confederate matches the color shown in the video). And half the time, the color was incongruent (the color mentioned by the confederate was different from that visible in the video).

Measures At the end of this conversation, the confederate left, and the participant was asked by the experimenter to complete a short questionnaire to measure his or her memory of the details in the video. This questionnaire consisted of fifteen fill-in-the-blank questions where participants were asked questions, such as “What kind of pants was the individual who asked for the money wearing?” The participant has to write what he or she recalled or “unknown” if uncertain about the response. Each correct answer was given one point, and the points were added to create a continuous measure of recall as the dependent variable. Scores on this measure ranged from 0 to 15. This questionnaire was given again two weeks later, and a third time after one month. Participants were also asked to rate their confidence in their recall of each item on a scale of 1 to 10, with one meaning very little confidence and 10 meaning a great deal of confidence. These items were added to create an overall confidence score, with higher scores indicating higher levels of confidence. Scores on this measure ranged from 15 to 150. The misinformation effect was stored in a variable named “recall color.” Recall color was scored as “Correct” if participants correctly identified the color of the car they had seen in the video and “Incorrect” if they incorrectly identified the color.

Finally, all participants completed a short questionnaire to measure their stress levels. This was necessary to check the stress manipulation and ensure it was effective. Possible scores on this measure ranged from 0 to 25, with higher scores indicating higher levels of stress.

Results

First hypothesis

Null hypothesis: There is no significant relationship between the type of information conveyed (a misinformation effect) and the accuracy of recall about the color of the vehicle.

Alternative hypothesis: There is a significant relationship between the type of information conveyed (a misinformation effect) and the accuracy of recall about the color of the vehicle.

 

Type of Information * Recall Color Crosstabulation
Count
 Recall ColorTotal
 correctincorrect 
Type of Informationconsistent27936
 inconsistent152136
Total423072

 

The results show that out of 36 participants who received consistent information, 27 of them had a correct recall about the color of the vehicle while 9 had an incorrect recall about the color of the vehicle. Also, out of 36 participants who received inconsistent information, 15 of them had a correct recall about the color of the vehicle while 21 had an incorrect recall about the color of the vehicle. This shows that the participants who received consistent information had higher chances of having a correct recall about the color of the vehicle.

 

Coefficientsa
ModelUnstandardized CoefficientsStandardized CoefficientstSig.
 BStd. ErrorBeta  
1(Constant).917.175 5.227.000
 Type of Information.333.111.3383.005.004
a. Dependent Variable: Recall Color

 

 

The above regression output shows that there is a significant relationship between the two variables since the significant value is less than 5%. That is, 0.004<0.05. Therefore, we reject the null hypothesis and conclude that there is a significant relationship between the type of information conveyed (a misinformation effect) and the accuracy of recall about the color of the vehicle.

Second hypothesis

Hypothesis: Memory decays over time.

Memory decays will be assessed using the recall ability over time.

 

The results in the above bar chart show that the recall level reduces from recall1 to recall3. This indicates that the recall level decreases with time hence the conclusion that memory decays with time.

Third hypothesis

Null hypothesis: Level of stress does not affect recall

Alternative hypothesis: level of stress affects recall

 

level of stress * Recall Color Crosstabulation
Count
 Recall ColorTotal
 correctincorrect 
level of stresslow15924
 medium121224
 high15924
Total423072

 

 

The above output shows that out of 24 participants who had a low level of stress, 15 of them had a correct recall about the color of the vehicle while 9 of them had an incorrect recall about the color of the vehicle. Out of 24 participants who had a medium level of stress, 12 of them had a correct recall about the color of the vehicle while 12 of them had an incorrect recall about the color of the vehicle. Also, out of 24 participants who had a high level of stress, 15 of them had a correct recall about the color of the vehicle while 9 of them had an incorrect recall about the color of the vehicle.

Coefficientsa
ModelUnstandardized CoefficientsStandardized CoefficientstSig.
 BStd. ErrorBeta  
1(Constant)1.417.156 9.087.000
 level of stress.000.072.000.0001.000
a. Dependent Variable: Recall Color

 

The regression analysis output above shows that there was no relationship between the two variables since the significant value is greater than 5%. That is 1.000>0.05. Therefore, we fail to reject the null hypothesis at 5% level of significance and conclude that level of stress does not affect the ability to recall.

Fourth hypothesis

Null hypothesis: There is no significant relationship between the level of stress and confidence.

Alternative hypothesis: There is a significant relationship between the level of stress and confidence.

Coefficientsa
ModelUnstandardized CoefficientsStandardized CoefficientstSig.
 BStd. ErrorBeta  
1(Constant)4.600.218 21.107.000
 Confidence-.026.002-.827-12.326.000
a. Dependent Variable: level of stress

 

The regression equation is; level of stress = 4.600 – 0.026*confidence. The regression equation shows that if confidence increases by one unit, the level of stress decrease by 0.026 units. The regression output also shows that there is a significant relationship between the two variables since the significance value is less than 0.05. That is, 0.000<0.05. Therefore, we reject the null hypothesis at 5% level of significance and conclude that there is a significant relationship between the level of stress and confidence.

Discussion.

According to the results from this research, an individual’s accuracy of recall depends on the type of information conveyed ( a misinformation effect). A person is more likely to have a correct recall if the information conveyed to him/her is consistent. A person conveyed with inconsistent information is more likely to have an incorrect recall.

The results from this researcher also show that a person’s memory decays with time. This is because the level of recall was found to decrease as time goes by. Therefore, time is a determinant of the ability to recall. These findings are similar to those of Shapiro & Penrod (1986) that stated that memory may decay over time.

The findings of this research also indicate that a person’s level of stress does not affect his/her ability to recall. These findings are in contrast with those of Deffenbacher, Bornstein, Penrod, & McGorty in 2004 and Payne, Nadel, Allen, Thomas, & Jacobs in 2002 that stated that as stress increases, the accuracy of recall decreases.

The researcher also found that there is a significant relationship between a person’s level of stress and his/her confidence. It also showed that confidence decreases as stress increases.

Direction for future research.

· Research should be carried to determine whether there is a significant relationship between age and the ability to recall.

· Research should be carried to determine whether there is a significant relationship between gender and the ability to recall.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

References

Bornstein, G. HY., & Zickafoose, D. J. (1999). “I know I know it, I know I saw it”: The stability of the confidence-accuracy relationship across domains. Journal of Experimental Psychology: Applied, 5, 76–88.

Deffenbacher, K. A., Bornstein, B. H., Penrod, S. D., & McGorty, E. K. (2004). A meta-analytic review of the effects of high stress on eyewitness memory. Law and Human Behavior, 28(6), 697–706.

Myers, D. G. (2008). Social psychology (9th ed.). New York, NY: McGraw Hill.

Payne, J. D., Nadel, L., Allen, J. J. B., Thomas, K. G. F., & Jacobs, W. J. (2002). The effects of experimentally induced stress on false recognition. Memory, 10(1), 1–6.

Shapiro, P. N., & Penrod, S. (1986). Meta-analysis of facial identification studies. Psychological Bulletin, 100, 139–156.

Stambor, Z. (2006). How reliable is eyewitness testimony? APA Monitor, 37(4), 26–27.

 

 

 

 

 

Bar Chart

Recall1 Recall2 Recall3 542 473 369

Time

 

 

Recall Level

Describe the origin of emotional and psychological issues.

Objectives:    (1) Identify anxiety disorders.

(2) Describe the origin of emotional and psychological issues.

 

Part A

 

Susan, a college student, is anxious whenever she must speak. Her anxiety motivates her to prepare meticulously and rehearse material again and again. Is Susan’s reaction normal, or does she have an anxiety disorder? Explain two (2) criteria you used in arriving at your answer.

 

Part B

 

In recent years, several best-selling books have argued that most emotional problems can be traced to an unhappy or traumatic childhood (an abusive or dysfunctional family, “toxic” parents, and suppression of the “inner child”). What are two (2) possible benefits of focusing on childhood as the time when emotional problems originate, and what are two (2) possible drawbacks?

 

Part C

 

Suppose a member of your family has become increasingly depressed in recent months, and it’s apparent that the person needs treatment. You’re chosen to look into the options and to make decisions about the treatment. Based on information in Chapter 16, how might you proceed? Provide two (2) supporting facts to justify your plan of action.

In practice, clinical and counseling psychologists utilize psychoeducational tools (

In practice, clinical and counseling psychologists utilize psychoeducational tools (e.g., bibliotherapy, client handouts, worksheets, etc.) to enhance the client’s knowledge about mental health issues, coping strategies, and resources.Create a visually interesting client handout based on the case study attached case 18 the case of Julia.The client handout will include the following required elements(1)Education: Explain, with as much visual information as possible, the client’s cognitive or behavioral symptoms based on your selected theoretical orientation. You may choose to create diagrams, figures, or charts to illustrate the relationship between the client’s cognitions, affect, and behavior(2)Intervention: Create a self-help exercise (e.g., a dysfunctional thought record, meditation, deep breathing, guided imagery, muscle relaxation, thought stopping, etc.) to assist the client in monitoring or reducing maladaptive cognitions, affect, and/or behavior outside of therapeutic sessions. Include an explanation about how the handout could be useful in reducing the client’s symptoms. You may choose to visually represent this exercise with charts, scripts, steps, or other media(3)Resources: Assess current trends in psychotherapy, and list complete APA reference entries for five sources that would help the client learn more about his or her presenting problem(s), early warning signs of relapse, and managing symptoms. Please include hyperlinks if such exist for your resources?