Theoretical background/Literature review

The purpose of this assignment is to give you a chance to synthesize theories and research findings in

SLD to come up with a research proposal. Your research proposal should include the following

components:

(1) Introduction (2) Theoretical background/Literature review:

In this section, you will provide the theoretical and empirical background of your study. You

should discuss at least 5 primary research studies. Based on this discussion/review of

previous research, you will demonstrate the need for your proposed study. If relevant, you

may include the 3 research studies you reviewed in Project #2.

(3) Research question(s): State the research question(s) that you will address in your proposed research.

(4) Methods: Provide a description of the methods that you will use to gather data and answer your

research questions. You may choose a quantitative, qualitative, or mixed methods design.

Also include a brief description of how you plan to analyze the data. Also state your expected

findings.

The paper should be 8-10 pages (excluding references), doubled-spaced, 12-point font, standard

margins. It should follow APA format. The due date is May 5th. Submit your assignment in WORD

format (not pdf) through Canvas by midnight.

 

Evaluation will be based on:

a) Content ▪ The purpose of the study is stated clearly with sufficient explanation for the need to

conduct the proposed study.

▪ At least five relevant previous studies are selected and sufficiently discussed in connection with the overall proposed study.

▪ The research questions have been stated clearly and can be answered through the study. (They are not too ambitious to the point that they cannot be answered through the study.)

▪ The methods selected are appropriate for answering the research questions. The methods to be used are explained in sufficient detail.

▪ The plans for data analysis and the expected findings are clearly stated. b) Organization

▪ The paper is written in a logical order. ▪ The transition between ideas is clear so that the paper is easy to follow.

c) Writing/format ▪ The overall writing of the paper is clear. ▪ The paper follows the required format.

 

Some additional resources that may be helpful:

➢ Quantitative research guidelines: https://www.tesol.org/read-and-publish/journals/tesol- quarterly/tesol-quarterly-research-guidelines/quantitative-research-guidelines

➢ Qualitative research-Case study guidelines: https://www.tesol.org/read-and- publish/journals/tesol-quarterly/tesol-quarterly-research-guidelines/qualitative-research-case-

Summarizing Methods Used In Linguistics

Summarizing Methods Used In Linguistics

Choose 5 articles/researches in ” LINGUISTICS ” , summarizing the methods they use , such as ” interviews , questioners , open-ended , case study , texts  , etc.”

WRITE 2 PAGES OF THE METHODS  USED IN THESE 5 ARTICLES/RESEARCHES.

pragmatics is part of linguistics

write 3 theses topics in ” PRAGMATICS” with brief ” pragmatics is part of linguistics”

and please find something researchable that I can collect data about it , and i will make it in JORDAN

* if one of them were in speech act — many people I know in my university wrote about one of them so I need something unique that I will find no one ever wrote about it”

Lexeme formation: the familiar

Lexeme formation: the familiar 39

3. Some speakers will fi nd the forms in (3b) odd, and will question their acceptability, but they are all attested

in the Corpus of Contemporary American English and discussed in Bauer, Lieber, and Plag ( 2013 ).

goes on. This morpheme (an a for the verb ‘love’ and an i for the verb ‘say’)

doesn’t mean anything, but still must be added before the inflectional

ending can be attached. The root plus this extra morpheme is the stem .

Thought of another way, the stem is usually the base that is left when the

inflectional endings are removed. We will look further at roots and stems

in Chapter 6 , when we discuss inflection more fully.

3.3 Affixation

3.3.1 Word formation rules Let’s look more carefully at words derived by affixation . Prefixes and suf-

fixes usually have special requirements for the sorts of bases they can

attach to. Some of these requirements concern the phonology (sounds) of

their bases, and others concern the semantics (meaning) of their bases –

we will return to these shortly – but the most basic requirements are often

the syntactic part of speech or category of their bases. For example, the

suffix -ness attaches freely to adjectives, as the examples in (3a) show and

sometimes to nouns (as in (3b) ), but not to verbs (3c) :

(3) a. – ness on adjectives: redness, happiness, wholeness, commonness,

niceness

b. – ness on nouns: appleness, babeness, couch-potatoness 3

c. – ness on verbs: *runness, *wiggleness, *yawnness

The prefix un- attaches to adjectives (where it means ‘not’) and to verbs

(where it means ‘reverse action’), but not to nouns:

(4) a. un – on adjectives: unhappy, uncommon, unkind, unserious

b. un- on verbs: untie, untwist, undress, unsnap

c. un- on nouns: *unchair, *unidea, *ungiraffe

We might begin to build some of the rules that native speakers of English use

for making words with -ness or un- by stating their categorial requirements:

(5) Rule for -ness (first version): Attach – ness to an adjective or to a noun.

Rule for un- (first version): Attach un- to an adjective or to a verb.

Of course, if we want to be as precise as possible about what native speak-

ers know about forming words with these affixes, we should also indicate

what category of word results from using these affixes, and what the

resulting word means. So a more complete version of our – ness and un-

rules might look like (6) :

(6) Rule for – ness (second version): – ness attaches to adjectives or nouns

‘X’ and produces nouns meaning ‘the quality of X’.

Rule for un- (second version): un- attaches to adjectives meaning ‘X’

and produces adjectives meaning ‘not X’; un – attaches to verbs

meaning ‘X’ and produces verbs meaning ‘reverse the action X’.

 

 

40 INTRODUCING MORPHOLOGY

If we’re really trying to model what native speakers of English know about

these affixes, we might try to be even more precise. For example, un- does

not attach to all adjectives or verbs, as you can discover by looking at the

next Challenge box.

Challenge

Look at the following words and try to work out more details of the

rule for un- in English. The (a) list contains some adjectives to which

negative un- can be attached and others which seem impossible or at

least somewhat odd. The (b) list contains some verbs to which

reversative un- can attach and others which seem impossible. See if

you can discern some patterns:

(a) unhappy, *unsad, unlovely, *unugly, unintelligent, *unstupid

(b) untie, unwind, unhinge, unknot, *undance, *unyawn, *unexplode,

*unpush

What the (a) examples in the Challenge box seem to show is that the negative

prefix un- in English prefers to attach to bases that do not themselves have

negative connotations. This is not true all of the time – adjectives like unself-

ish or unhostile are attested in English – but it’s at least a significant tendency.

As for the (b) examples, they suggest that the un- that attaches to verbs pre-

fers verbal bases that imply some sort of result, and moreover that the result

is not permanent. Verbs like dance, push, and yawn denote actions that have

no results, and although explode implies a result (i.e., something is blown up),

it’s a result that is permanent. In contrast, a verb like tie implies a result

(something is in a bow or knot) which is temporary (you can take it apart).

We have just constructed what morphologists call a word formation

rule , a rule which makes explicit all the categorial, semantic, and phono-

logical information that native speakers know about the kind of base that

an affix attaches to and about the kind of word it creates. We might now

state the full word formation rules for negative un- as in (7) :

(7) Rule for negative un- (final version): un- attaches to adjectives,

preferably those with neutral or positive connotations, and creates

negative adjectives. It has no phonological restrictions.

Now let’s look at two more affixes. In English we can form new verbs by

using the suffixes -ize or -ify . Both of these suffixes attach to either nouns

or adjectives, resulting in verbs:

(8) -ize on adjectives: civilize, idealize, finalize, romanticize,

tranquillize

-ize on nouns: unionize, crystallize, hospitalize, caramelize,

animalize

-ify on adjectives: purify, glorify, uglify, moistify, diversify

– ify on nouns: mummify, speechify, classify, brutify, scarify,

bourgeoisify

 

 

Lexeme formation: the familiar 41

We might state the word formation rules for -ize and -ify as in (9) :

(9) Rule for -ize (first version): -ize attaches to adjectives or nouns that

mean ‘X’ and produces verbs that mean ‘make/put into X’.

Rule for -ify (first version): -ify attaches to adjectives or nouns that

mean ‘X’ and produces verbs that mean ‘make/put into X’.

But again, we can be a bit more precise about these rules. Although -ize

and -ify have almost identical requirements for the category of base they

attach to and produce words with roughly the same meaning, they have

somewhat different requirements on the phonological form of the stem

they attach to. As the examples in (8) show, -ize prefers words with two or

more syllables where the final syllable doesn’t bear primary stress (e.g.,

trá nquil, hó spital ). The suffix -ify , on the other hand, prefers monosyllabic

bases ( pure, brute, scar ), although it also attaches to bases that end in a – y

( mummy, ugly ) or bases whose final syllables are stressed ( divé rse, bourgé ois ).

Since we want to be as precise as possible about our word formation rules

for these suffixes, we will state their phonological restrictions along with

their categorial needs:

(10) Rule for -ize (final version): -ize attaches to adjectives or nouns of

two or more syllables where the final syllable does not bear

primary stress. For a base ‘X’ it produces verbs that mean ‘make/put

into X’.

I leave it to you to come up with the final version of the word formation

rule for – ify.

3.3.2 Word structure When you divide up a complex word into its morphemes, as in (11) , it’s

easy to get the impression that words are put together like the beads that

make up a necklace – one after the other in a line:

(11) unhappiness = un + happy + ness

But morphologists believe that words are more like onions than like neck-

laces: onions are made up of layers from innermost to outermost. Consider

a word like unhappiness . We can break this down into its component mor-

phemes un + happy + ness , but given what we learned above about the

properties of the prefix un- and the suffix – ness we know something more

about the way in which this word is constructed beyond just its constitu-

ent parts. We know that un- must first go on the base happy . Happy is an

adjective, and un- attaches to adjectives but does not change their catego-

ry. The suffix -ness attaches only to adjectives and makes them into nouns.

So if un- attaches first to happy and -ness attaches next, the requirements

of both affixes are met. But if we were to do it the other way around, -ness

would have first created a noun, and then un- would be unable to attach.

We could represent the order of attachment as if words really were

onions, with the base in the innermost layer, and each affix in its own

succeeding layer: see Figure 3.2 .

 

 

42 INTRODUCING MORPHOLOGY

But linguists, not generally being particularly artistic, prefer to show

these relationships as ‘trees’ that look like this :

(12)

 

N

A

A

un happy ness

Similarly, we might represent the structure of a word like repurify as in (13) :

(13)

 

V

V

A

re pure ify

In order to draw this structure, we must first know that the prefix re-

attaches to verbs (e.g., reheat, rewash , or redo ) but not to adjectives ( *repure,

*rehappy ) or to nouns ( *rechair, *retruth ). Once we know this, we can say that

the adjective pure must first be made into a verb by suffixing -ify , and only

then can re- attach to it.

FIGURE 3.2 Words are like onions

Challenge

In English, the suffix -ize attaches to nouns or adjectives to form

verbs. The suffix -ation attaches to verbs to form nouns. And the suffix

-al attaches to nouns to form adjectives. Interestingly, these suffixes

 

 

Lexeme formation: the familiar 43

3.3.3 What do affixes mean? When we made the distinction between affixes and bound bases above, we

did so on the basis of a rather vague notion of semantic robustness; bound

bases in some sense had more meat to them than affixes did. Let us now

attempt to make that idea a bit more precise by looking at typical mean-

ings of affixes.

In some cases, affixes seem to have not much meaning at all. Consider

the suffixes in (14) :

(14) a. -(a)tion examination, taxation, realization, construction

– ment agreement, placement, advancement, postponement

-al refusal, arousal, disposal

b. -ity purity, density, diversity, complexity

-ness happiness, thickness, rudeness, sadness

Beyond turning verbs into nouns with meanings like ‘process of X-ing’ or

‘result of X-ing’, where X is the meaning of the verb, it’s not clear that the

suffixes -(a)tion, -ment , and -al add much of any meaning at all. Similarly

with -ity and -ness , these don’t carry much semantic weight of their own,

aside from what comes with turning adjectives into nouns that mean

something like ‘the abstract quality of X’, where X is the base adjective.

Affixes like these are sometimes called transpositional affixes , meaning

that their primary function is to change the category of their base with-

out adding any extra meaning.

Contrast these, however, with affixes like those in (15) :

(15) a. -ee employee, recruitee, deportee, inductee

b. -less shoeless, treeless, rainless, supperless

c. re- reheat, reread, rewash

These affixes seem to have more semantic meat on their bones, so to

speak: -ee on a verb indicates a person who undergoes an action; -less

means something like ‘without’; and re- means something like ‘again’.

Languages frequently have affixes (or other morphological processes, as

we’ll see in Chapter 5 ) that fall into common semantic categories. Among

those categories are:

• personal or participant affixes: These are affixes that create ‘people nouns’ either from verbs or from nouns. Among the personal affixes

in English are the suffix -er which forms agent nouns (the ‘doer’ of

can be attached in a recursive fashion: convene → convention →

conventional → conventionalize → conventionalization .

First draw a word tree for conventionalization . Then see if you can

find other bases on which you can attach these suffixes recursively.

What is the most complex word you can create from a single base

that still makes sense to you? Are there any limits to the complexity

of words derived in this way?

 

 

44 INTRODUCING MORPHOLOGY

the action) like writer or runner and the suffix -ee which forms patient

nouns (the person the action is done to). Also among this class of

affixes are ones that create other ‘people nouns’ other than the agent

or the patient in an event, for example, inhabitants of a place (like

Manhattanite or Bostonian ).

• locative affixes: These are affixes that designate a place. For example, in English we can use the suffix – ery or – age to denote a place where

something is done or gathered (like eatery or orphanage ).

• abstract affixes: These are affixes that create abstract nouns that denote qualities (like happiness or purity ) or statuses ( puppydom, advisor-

ship, daddyhood ) or even aspects of behavior ( buffoonery ).

• negative and privative affixes: Negative affixes add the meaning ‘not’ to their base; examples in English are the prefixes un- , in- , and non-

( unhappy, inattentive, non-functional ). Privative affixes mean something

like ‘without X’; in English, the suffix -less ( shoeless, hopeless ) is a priva-

tive suffix, and the prefix de- has a privative flavor as well (e.g., words

like debug or debone mean something like ‘cause to be without bugs/

bones’).

• prepositional and relational affixes: Prepositional and relational affixes often convey notions of space and/or time. Examples in

English might be prefixes like over- and out- or pre – and post – ( overfill,

overcoat, outrun, outhouse, preschool, preheat, postwar, postdate ).

• quantitative affixes: These are affixes that have something to do with amount. In English we have affixes like -ful ( handful, helpful )

and multi – ( multifaceted ). Another example might be the prefix re-

that means ‘repeated’ action ( reread ), which we can consider quan-

titative if we conceive of a repeated action as being done more

than once. Other quantitative affixes that we have in English

denote collectives or aggregates of individuals (e.g., acreage or

knickknackery ).

• evaluative affixes: Evaluative affixes consist of diminutives , affixes that signal a smaller version of the base (e.g., in English -let as in

booklet or droplet ) and augmentatives , affixes that signal a bigger ver-

sion of the base. The closest we come to augmentative affixes in

English are prefixes like mega- ( megastore , megabite ). The Native

American language Tuscarora (Iroquoian family) has an augmenta-

tive suffix – ʔ o ʔ y that can be added to nouns to mean ‘a big X’; for

example, takó:θ- ʔ o ʔ y means ‘a big cat’ (Williams 1976 : 233). Diminutives and augmentatives frequently bear other nuances of

meaning. For example, diminutives often convey affection, or

endearment, as we find in some words with – y or – ie in English (e.g.,

sweetie, kitty ). Augmentatives sometimes have pejorative overtones

(the Niger-Congo language Fula has a pejorative diminutive, for

example).

Note that some semantically contentful affixes change syntactic category

as well; for example, the suffixes -er and -ee change verbs to nouns, and the

prefix de- changes nouns to verbs. But semantically contentful affixes

 

 

Lexeme formation: the familiar 45

need not change syntactic category. The suffixes – hood and -dom , for

example, do not ( childhood, kingdom ), and by and large prefixes in English

do not change syntactic category.

So far we have been looking at suffixes and prefixes whose meanings

seem to be relatively clear. Things are not always so simple, though. Let’s

look more closely at the suffix -er in English, which we said above formed

agent nouns. Consider the following words:

(16) a. writer

skater

b. printer

freighter

c. loaner

fryer (i.e., a kind of chicken)

d. diner

All of these words seem to be formed with the same suffix. Look at each

group of words and try to characterize what their meanings are. Does -er

seem to have a consistent meaning?

It’s rather hard to see what all of these have in common. The words in

(16a) are indeed all agent nouns, but the (b) words are instruments; in

other words, things that do an action. In American English the (c) words

are things as well, but things that undergo the action rather than

doing the action (like the patient -ee words discussed above): a loaner is

something which is loaned (often a car, in the US), and a fryer is some-

thing (a chicken) which is fried. And the word diner in (d) denotes a loca-

tion (a diner in the US is a specific sort of restaurant). Some morphologists

would argue that there are four separate suffixes in English, all with the

form -er . But others think that there’s enough similarity among the

meanings of -er words in all these cases to merit calling -er a single affix,

but one with a cluster of related meanings. All of the forms derived with

-er denote concrete nouns, either persons or things, related to their base

verbs by participating in the action denoted by the verb, although some-

times in different ways. This cluster of related meanings is called affixal

polysemy .

Affixal polysemy is not unusual in the languages of the world. For

example, it is not unusual for agents and instruments to be designated by

the same suffix. This occurs in Dutch , as the examples in (17a) show (Booij

and Lieber 2004 ), but also in Yoruba (Niger-Congo family), as the examples

in (17b) show (Pulleyblank 1987 : 978):

(17) a. Dutch

spel-er ‘player’ ( spelen ‘play’)

Maai-er ‘mower’ ( maaien ‘mow’)

b. Yoruba

a-pànìà ‘murderer’ ( pa ‘kill’, ènìà ‘people’)

a-bẹ ‘razor, penknife’ ( bẹ ‘cut’)

 

 

46 INTRODUCING MORPHOLOGY

The Dutch suffix -er is in fact quite similar to the -er suffix in English in

the range of meanings it can express. The Yoruba prefix a- also forms both

agents and instruments.

3.3.4 To divide or not to divide? A foray into extenders , formatives , crans , and other messy bits In Chapter 1 we defined a morpheme as the smallest unit of language that

has its own meaning. We have now looked at affixes and bases, both free

and bound, and considered their meanings and how they combine into

complex structures. For the most part, the examples we have looked at are

simple and their analysis has been relatively clear. But often the closer we

look at the morphology of a language, the more complex it becomes.

There are many ways we can illustrate this with the morphology of

English , but we will choose just a few points in this section that compli-

cate our initial picture. I should point out in advance that my examples

here will come from English, but we should expect to find similar twists

and turns in any language whose morphology we examine in detail.

Consider the words in (18) :

(18) a. report, import, transport, deport, comport, export

b. cranberry, huckleberry, raspberry

c. Platonic, tobacconist, spasmodic, egotist

d. sniffle, snort, snot, snout

e. eggitarian, pizzatarian, pastatarian, fruitarian, flexitarian

Let’s start with the ones in (18a) . We have assumed so far that words can

be broken down into morphemes, which are pieces that have meaning.

The words in (18a) certainly look like they might be broken down because

they have recurrent parts, but if they are, what do the pieces mean? In

fact, English has dozens of words that are similar to what we might call

the – port family. See how many cells of Table 3.1 you can fill in.

Table 3.1

in- ex- con- re- trans- de-

-port

-mit

-ceive

-duce

-cede

-fer

-scribe

-gress

-sist

 

 

Lexeme formation: the familiar 47

One reason for our dilemma in analyzing these forms is that they are

not native to English. They were borrowed from Latin (or from French ,

which in turn is descended from Latin), where they did have clear mean-

ings: -port comes from the verb portare ‘to carry’, – mit from the verb mittere

‘to send’, -scribe from the verb scribere ‘to write’, and so on. But English

speakers (unless they’ve studied Latin!) don’t know this. Morphologists are

left with an unsatisfying sense that the words above somehow ought to be

treated as complex, but are nevertheless reluctant to give up the strict

definition of morpheme. One way of dealing with these pieces is to

acknowledge that they seem to be independent and recombinable in some

way, but that they are not morphemes in the normal sense. Bauer, Lieber,

and Plag ( 2013 : 16) call elements like these formatives , which they define

as “elements contributing to the construction of words whose semantic

unity or function is obscure or dubious.”

The items in (18b) illustrate a different type of formative that are some-

times called cran morphs , from the first bit of the word cranberry . The

second part of the word cranberry is clearly a free morpheme. But when we

break it off, what’s left is a piece that doesn’t seem to occur in other words

(except in recent years, words like cranapple that are part of product

names), and doesn’t seem to mean anything independently. There are

quite a few of these cran morphs in the names of other types of berries:

rasp- in raspberry , huckle- in huckleberry . In cases such as these we are even

more tempted than we were with – port, -ceive , and the like to divide words

into morphemes, even though we know that one part of the word isn’t

meaningful in the way morphemes usually are.

The examples in (18c) also display a puzzling characteristic. If we try to

break these words down into their component morphemes, what we find

is that each one consists of two obvious morphemes plus an extra sound

or two:

(19) Plato + n + ic (compare icon+ic )

tobacco + n + ist (compare accordian+ist )

spasm + od + ic (compare Celt+ic )

ego + t+ ist (compare clarinet+ist )

The question is what the extra bit is. Is it part of the base of the word or part

of the affix or part of neither? It seems pretty clear that it doesn’t mean

anything. And why do we get an / n / in Platonic , but / od / in spasmodic , and noth-

ing between the base and the suffix in heroic , or an /n/ in tobacconist , but a /t/

in egotist ? Morphologists don’t have a clear answer to these questions – part

Challenge

Do you think that units like -port, -mit, -ceive , and the like should be

considered morphemes? If so, what problems do they present for our

definition of morpheme ? If not, what should we do about the

intuition that native speakers of English have that such words are

complex?

 

 

48 INTRODUCING MORPHOLOGY

of the fun of doing morphology is that we can argue about the possibilities,

after all! – but we can at least give these puzzling bits a name. Following

Bauer, Lieber, and Plag ( 2013 ), we will call them extenders .

Next, let’s look at the examples in (18d) . These exhibit what is called

sound symbolism . All of the words begin with the consonant cluster /sn/

and seem to have something to do with the nose, but the sequence of

sounds /sn/ doesn’t mean anything by itself. Here morphologists are rela-

tively agreed that sound symbolic words cannot be broken into parts. For

one thing, the sequence /sn/ doesn’t refer to ‘nose’ everywhere it occurs

(consider words like snail, snap , or snit ), and for another, if we were to seg-

ment /sn/ in the words in (18) , what would be left over would neither have

meaning by itself nor recur elsewhere in English.

Our final group of odd bits is illustrated in (18e) . In these examples, the

first part of each word is clearly a free morpheme, but the second part is

not. Rather, it is what Bauer, Lieber, and Plag ( 2013 ) call a splinter ,

something which is split off from an original word, but which is not

really (yet!) a true suffix. In the examples in (18e) , the splinter is tarian ,

which is a bit broken off from the word vegetarian , and then used to create

new words meaning ‘one who eats X’. English has lots of splinters, among

them tastic , as in funktastic or fishtastic , which is used to form mostly ironic

words meaning ‘excellent or great in reference to X’, originally from fan-

tastic , or licious , as in bagelicious or bootielicious , which is used to form words

meaning ‘appealing in reference to X’, originally from the word delicious .

The difference between a splinter and a true suffix is that speakers under-

stand splinters in relation to the original word from which the ending

splits off. If these bits survive and continue to give rise to new forms,

though, they might someday be real suffixes!

3.4 Compounding

So far we have concentrated on complex words formed by derivation, spe-

cifically by affixation. Derivation is not the only way of forming new

words, of course. Many languages also form words by a process called

compounding. Compounds are words that are composed of two (or more)

bases, roots, or stems. In English we generally use free bases to compose

compounds, as the examples in (20) show:

(20) English compounds

compounds of two nouns: windmill, dog bed, book store

compounds of two adjectives: icy cold, blue-green, red hot

compounds of an adjective and a noun: greenhouse, blackboard,

hard hat

compounds of a noun and an adjective: sky blue, cherry red, rock hard

3.4.1 When do we have a compound? How do we know that a sequence of words is a compound? Surprisingly,

it’s not that easy to come up with a single criterion that works in all cases.

 

  • 3 Lexeme formation: the familiar
    • 3.3 Affixation
      • 3.3.1 Word formation rules
      • 3.3.2 Word structure
      • 3.3.3 What do affixes mean?
      • 3.3.4 To divide or not to divide? A foray into extenders, formatives, crans, and other messy bits
    • 3.4 Compounding
      • 3.4.1 When do we have a compound?

Former president of the American Association of Social Workers

Former president of the American Association of Social Workers (now the NASW), Benjamin Youngdahl,
stated in his 1953 farewell address: “Is our function as social workers limited to the treatment of
pathologies, or do we have a positive or preventive function to perform as well?”
Please reflect on and respond to Youngdahl’s question, and support your position by invoking one core
value from the NASW Code of Ethics and one standard from the CSWE Educational Policy and
Accreditation Standards. I provide links to both documents in Module # 9.

Written Paper: Signature Strengths 

Written Paper: Signature Strengths 

As individuals, we have considerable influence over what kind of character we develop and the kind of people we want to become. Character strengths are the foundation upon which we build our value systems, develop our abilities, and gain from our accomplishments. Character is the positive inner strength. Researchers at the VIA Institute on Character have identified 24 VIA Character Strengths that fall under six virtues: wisdom, courage, humanity, justice, temperance and transcendence.

For this activity, you will take an online survey that addresses different aspects of strength and abilities.

Part 1: First, review the  24 VIA Character Strengths

Part 2: Predict your top five strengths.

(I predicted: Humor, Honesty, Love, Curiosity & Perspective)

Part 3: Register and take the free  VIA Signature Strengths Inventory (VIA-IS)  (You will need to complete site registration before you can take the inventory.) Keep a copy of your results.

I attached my top 5 in the screenshot so go by that

Part 4: In three pages (plus a cover sheet and reference page), address the following:

1. List the strengths you predicted would be your top five, and describe them based on the VIA Classification.

2. List and describe what the VIA Signature Strengths inventory revealed to be your top strengths. Where did your predicted strengths rank? What thoughts do you have about these results?

3. Describe a time in your life when you used one of the top five strengths identified in your survey results. The time may be about a task you accomplished or a time at work, in nature, on vacation, with family and/or friends, or by yourself. Be specific in your description.

4. What new insights did you gain about your personal strengths from this exercise?|

Postmortem

 Postmortem

Instructions: Use the attached project_plan_Revision.pdf information to complete the week 5 attachment of post mortem.

Scenario:
Imagine you work in the IT department of a financial services company that sells investments to, and manages investment portfolios for, high net worth individuals. Your organization uses custom-built legacy software applications and systems to support its sales processes. The sales software applications and systems are not integrated, and they do not support an enterprise view of the sales processes throughout the organization. Management is frustrated because the sales applications and systems do not provide the information and reports necessary for them to measure, monitor, and manage sales production in the organization. Sales executives and account managers are frustrated because the sales software applications and systems do not support the sales cycle for the products and services that the organization sells.

You have been assigned to analyze your organization’s sales processes and identify an IT system capable of improving the sales processes of your organization. In addition, your organization is looking for an easy-to-use, cloud-based Customer Relationship Management (CRM) solution to generate more leads, increase sales, improve customer service, reduce the cost of sales for the organization, and increase revenue.

Expert Answer 

US Homeland Security

(US Homeland Security) Personal Leadership Project- Two Parts Order: Personal Leadership History & Exercise

 

Order instructions:

US Homeland Security 2-Part Project, Critical Thinking – Leadership Essay & Exercise Report

Project Process (more instructions provided in attachments):

The project is a two-part process managed using specified development steps that correlate with provided attachments. Aspects of this process will be addressed in attached files for resources you can use to develop this project. The first of the two project deliverables is the personal leadership history report.

Overall leadership project instructions & details:

The leadership development project consists of two parts-
1) Leadership Development Project Part 1: Personal Leadership History Report
2) Leadership Development Project Part 2: Leadership Exercise

1st Part)
The personal leadership history report will review your leadership experiences and describes your leadership style during those experiences. Discuss leadership experiences, what you learned from them, factors that influenced how you led, and how you look back on that leadership experience. Provide at least 6 sources on a References list using APA 7.

2nd Part)
The leadership exercise activity is based on the physical characteristics and resources of a real facility located in New York City. The exercise focuses on an operational and planning scenario and includes the development of an Exercise Report also known as an After-Action Report (AAR). You can refer to attached overview of this portion of the project in uploaded files. Links and materials, including the assignment instructions, participant guide exercise materials, required report template, are provided as files to this order.
This is an extensive real-world project: a Leadership Exercise Report. This report will yield a product for you to share with prospective or current employers in order to enhance your employment possibilities and promotion potential. The report is the second of two deliverables comprising the assessment. Provide at least 6 sources on a References list using APA 7. (See attached instructions on Part 2.)

*The Personal Leadership History Report is due first (28 March 2023) and followed by the Leadership Exercise Report that is due at the end (01 May 2023).

PART 1 DETAILS:

> Personal Leadership History Report (Part 1)

The personal leadership history report will review your leadership experiences and describes your leadership style during those experiences. Discuss leadership experiences, what you learned from them, factors that influenced how you led, and how you look back on that leadership experience. This does not have to cover your entire leadership experience but should cover enough to build an accurate profile of your leadership experience. It is important to note that you do not need to be a supervisor or manager of people to lead. Leadership roles can take place in other ways, such as volunteering with a religious or civic organization. This is an essay on leadership, not management; sometimes the distinction is a fine line.

Be careful not to focus on a leadership style in general, but discuss specific personal leadership experiences, both positive and negative, successes and failures. This paper should review your leadership experiences and describe your leadership style during those experiences. Be sure that your conclusion focuses on summing up your points on leadership discussed in the essay, not just a style. This report will be used to compare to what you have learned from the Leadership Exercise Report, also known as an After Action Report (AAR).

The body of the personal leadership history report shall be 4-6 pages (1,300 to 2,000 word), excluding other material such as the cover page, table of contents, abstract, graphics and tables, and references. The paper shall be presented in APA 7 format, all margins should be 1”, 12-point font, and be in either Arial or New Times Roman font style. In the following descending order of preference, information sources must be either peer-reviewed articles, government reports, or other sources referenced in this order. Internet information sources from other than authoritative sources are discouraged.

post traumatic stress disorder

Post traumatic stress disorder

Term Paper Drop Box
**Please read the guidelines in their entirety to avoid getting points taken off your paper**
Each student will be required to write a term paper that contains five full pages (top line of the page through the last line at the bottom of the pages) plus a title page and reference page/pages for a minimum of 7 total pages. Your term paper must describe a psychological disorder from a biopsychosocial perspective. Students will be required to describe the disorder in terms of symptoms, describe biological, psychological, and social causes of the disorder and include information about treatment.

Students will select one of the following psychological disorders:

schizophrenia spectrum disorder
bipolar I disorder
Bipolar II disorder
major depressive disorder
separation anxiety disorder
Agoraphobia
Social Phobia (as so known as Social Anxiety Disorder)
panic disorder
hording disorder
reactive attachment disorder
post-traumatic stress disorder
pica in children
pica in adults
anorexia nervosa
bulimia nervosa
erectile disorder
female orgasmic disorder
intermittent explosive disorder
alcohol-related disorders
opioid-related disorders
cluster A personality disorders (you must pick one: paranoid personality, schizoid personality, schizotypal personality)

Step One: Locate a minimum of five scholarly (peer reviewed) journal articles that will help you learn about the disorder you selected. When doing your research, you should look for articles that:

describe/explain the symptoms associated with the disorder
that explain biological causes of the disorder
that explain psychological causes of the disorder
that explain socioeconomic causes of the disorder
that gives you information about treatments for the disorder

NOTE: Books and Websites of any kind are not allowed for this class. You must use GALILEO to locate Scholarly (peer reviewed) journal articles.
Step Two : The paper must be written in the student’s own words. The paper may not contain more than two direct quotes. Each quote must be no more than one full sentence.
Each paper will be analyzed using either a Safe Assign or a TurnItIn dropbox. The paper’s originality score must at 25% or lower. Any paper that scores higher than 25% on the originality report will receive a score of a zero. Remember that if you turn in your paper early and your originality score is too high you can revise and resubmit until the due date/time has passed.
While personal knowledge/experience may have led you to select a specific disorder, please do not include personal stories or experiences. This paper must utilize research studies that have studied thousands of individuals.
Step Three: Use the following guide to cover all the required components of your Term Paper.

Symptoms may be described in terms of emotional symptoms, cognitive symptoms, behavioral symptoms, somatic symptoms, and impairment in social and occupational functioning.
Biological explanations may include the following: Brain structure and function, genetics, hormones, evolution/natural selection, neurotransmitters (oversupply, under supply, dysfunction)
Psychological explanations may include the following: Learning, memory, personality traits, cognition (thought patterns), trauma/stress, emotion/mood
Sociocultural explanations may include the following: Gender roles, socioeconomic status, locations (city or rural), school/education, cultural values, poverty
Treatment may include medications, cognitive therapy, behavioral therapy, group therapy, client centered therapy

Step Four: The paper must be formatted entirely in APA formatting following the rules of the 7th edition of the Publication Manual of the American Psychological Association. This includes a title page and reference page/pages with APA formatted references, in-text citations, 12 point Times New Roman font (or other fonts as determined by your instructor), 1 inch margins on all sides.
The citations on the Reference Page must be as follows:
Primary Author’s Last Name, First Name Initial. (Publication Year). Article Title. Journal Title, Volume Number, first page – last page.
For Example:
Atkin, K. (1991). Health, illness, disability, and Black minorities: A speculative critique of present day discourse. Disability, Handicap and Society, 6, 37-47.
NOTE: For more information about the APA 7th edition, please review the APA Formatting Resources folder located directly above the Term Paper folder in the Lessons area.

 

Expert Answer 

Critical analysis paper on Direct cinema and the observational mode

FEA 380 Documentary Film History & Theory
Spring 2023
Dr. Rowena Santos Aquino
Critical analysis paper on Direct cinema and the observational mode (15 points)
Length: 5 full pages (12-point Times New Roman font, double-spaced, 1-inch margins)
Due: Monday, 13
th March, at 2:00PM in the BeachBoard dropbox
Late submissions deducted 3 points per day following deadline
Papers more than one week late will not be accepted; no exceptions
Direct cinema took advantage of lightweight equipment, zoom lenses, and synchronized sound to advocate an
observational, “fly on the wall” approach to documentary filmmaking. In our class screening of High School (1968), we
have seen how Direct cinema techniques are employed to construct documentaries with seemingly minimal authorial
intervention. Although Direct cinema filmmakers never made any claims to “objectivity” (which they knew was
impossible), by the end of the 1960s many critics had hailed their observational films as a new form of documentary, and
the filmmakers’ artistic use of handheld cameras, zooms, and montage had brought them “auteur” status.
Not all critics and filmmakers were convinced of Direct cinema’s merits, however, and some felt its stylistic techniques
and feeling of immediacy merely covered up a distinct point of view or compensated for a lack of ideas. With these
criticisms in mind, analyze ONE of the observational films listed below and consider how Direct cinema techniques affect
your experience of the subject. How does the observational mode convey meaning, and how do Direct cinema techniques
influence or shape the film’s ideas, themes, and representation of “reality” and/or truth(s)?
Some suggested issues to consider in formulating your thesis/argument and structuring your analysis:
● Title. Because Direct cinema usually avoids text and narration, how does the title of the film reflect the film’s content
and shape viewer expectations?
● Technique, Form, Style. How do the filmmakers structure their film to make meaning? How do they assert their
presence and/or point of view through form and style (framing, length of shots, shot selection, editing)? Do they ever
resort to expository techniques, such as using text or narration, to provide information, or other techniques that
“violate” Direct cinema “rules”? If so, why?
● Public and Private Life. One criticism of Direct cinema is its focus on public figures and public life, which often
takes the form of celebrity journalism. Does the mere act of gaining access to a public figure or institution guarantee
that a “behind the scenes” glimpse will be enlightening or truthful? (Remember that any act consciously made in front
of a camera is essentially a performance, and even a “performance” can reveal character.)
● The Media. Are there media representatives, such as television or newspaper reporters, seen in the film? If so, how
are they portrayed? Compare and contrast how the documentary filmmakers and these other media representatives
cover the same event(s) and/or figure(s).
● Direct cinema. Finally, does masking (i.e. making invisible) the filmmakers’ presence offer a more “direct”
experience of the subject? What kind of information or experience is being conveyed? Ultimately, what is gained and
what is lost by approaching the subject(s) or event(s) in an observational way?
In your analysis, you MUST have a thesis, a larger critical and interpretative argument or claim that you want to make
about the film. The bulk of your paper then develops your thesis through an analysis of the film’s formal, stylistic/visual,
and thematic elements and offers evidence in support of your thesis. You can draw on the lectures, readings, and/or
discussions to help strengthen and clarify your argument. You are not required to do any additional research for this
paper, but, you must use the required readings to support your thesis and/or individual critical points. When you
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summarize, paraphrase, or directly quote the readings, they must be properly cited. Not properly citing sources is
considered plagiarism. (Refer to the writing handout for detailed writing and citation guidelines.)
Because this assignment is a short paper, be concise and try to focus on specific scenes/sequences in the film that will
illustrate and support your thesis. The key point to remember is that analysis is more than description. Do not merely
re-tell the story of the films. Assume that your reader has seen the films, so use descriptions sparingly, only to back up
your arguments and provide context.
Your paper will be evaluated according to the following aspects:
● Quality of thesis (coherent, insightful);
● Argumentation and organization of analysis (cohesive, persuasive);
● Treatment of film’s formal and thematic elements (clear and complex understanding);
● Academic writing (articulate, little to no spelling/grammatical errors);
● Mechanics and citation (follows writing/submission guidelines, correct citation format)
If you have questions about the assignment, see me during my office hours or contact me at rowena.aquino@csulb.edu.
Choose ONE of the following documentaries for your analysis. Whenever possible, streaming links to access the
titles will be provided and/or updated (links for CC require login with your Beach ID).
Robert Drew:
Crisis (1963) – Kennedy administration deals with integration of black students at the University of Alabama
D.A. Pennebaker:
Dont Look Back (1966) – on tour in England with Bob Dylan
The War Room (1993) – Bill Clinton’s campaign in the 1992 election (co-directed with Chris Hegedus)
https://www.historicfilms.com/tapes/54681
Frederick Wiseman:
Titicut Follies (1967) – close look at inmates-patients of a state prison for the criminally insane
https://archive.org/details/Titicut.Follies.DVDRip
https://smartplayer.captionsync.com/play.php?vid=1676067105csulb-admin_aaf46193c13ecc99 (CC)
Law & Order (1969) – following the daily routines of officers of the Kansas City Police Department
https://www.archive.org/details/FrederickWisemanPublicHousingDiscOne
Hospital (1970) – portrait of urban hospital’s emergency ward and patient-staff interactions
https://www.archive.org/details/FrederickWisemanPublicHousingDiscOne
Allan King:
Warrendale (1967) – observing the treatment of emotionally disturbed youths at a facility

https://smartplayer.captionsync.com/play.php?vid=1675791541csulb-admin_996e40c5c851cf27 (CC)
A Married Couple (1969) – wife and husband find their marriage in crisis

https://smartplayer.captionsync.com/play.php?vid=1675793060csulb-admin_9ead84fd9ec03f36 (CC)
Albert & David Maysles:
Salesman (1968) – on the road with Bible salesmen

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https://smartplayer.captionsync.com/play.php?vid=1675794575csulb-admin_9461f25cada7284b (CC)
Gimme Shelter (1971) – Rolling Stones’ 1969 U.S. tour ends violently at Altamont Speedway

https://smartplayer.captionsync.com/play.php?vid=1675796107csulb-admin_96f14f52be5d2d51 (CC)
Grey Gardens (1976) – lives of Kennedy relatives & former socialites in a crumbling old mansion

https://smartplayer.captionsync.com/play.php?vid=1675797629csulb-admin_a5ba17d7744e372c (CC)
Barbara Kopple:
Harlan County, USA (1976) – striking miners & families face corporate power & violence in southeastern Kentucky

https://smartplayer.captionsync.com/play.php?vid=1676066888csulb-admin_ab1666500273da9b (CC)
American Dream (1990) – unionized striking workers protest wage cuts & daily struggles
https://digitalcampus-swankmp-net.csulb.idm.oclc.org/calstatelb346994/play/F23ECDDDBBE95EC0 (CC)
Lucien Castaing-Taylor:
Sweetgrass (2009) – shepherds guide sheep through the Montana wilderness (co-directed with Ilisa Barbash)
https://video-alexanderstreet-com.csulb.idm.oclc.org/watch/sweetgrass (CC)
Leviathan (2012) – accompanying a commercial fishing crew on an expedition (co-directed with Véréna Paravel)
*available on BeachBoard, Week 4 folder, alongside this assignment prompt
J.P. Sniadecki:
People’s Park (2012) – one-take exploration of a park in Chengdu, China in an afternoon
https://video-alexanderstreet-com.csulb.idm.oclc.org/watch/the-people-s-park?utm_campaign=Video&utm_medium=
MARC&utm_source=aspresolver
The Iron Ministry (2014) – encounters with passengers traveling by railway across China
https://docuseek2-com.csulb.idm.oclc.org/cart/product/1569 (CC)
Ross brothers
Tchoupitoulas (2012) – a night of experiencing New Orleans’sights & sounds through three brothers
https://video-alexanderstreet-com.csulb.idm.oclc.org/watch/tchoupitoulas?utm_campaign=Video&utm_medium=MA
RC&utm_source=aspresolver (CC)
Western (2015) –interactions, experiences, & perspectives in sister cities Eagle Pass, TX & Piedras Negras, Mexico
Bloody Nose, Empty Pockets (2020) – accompanying a Las Vegas dive bar’s last day/night with its regular customers
Style and submission requirements:
● Papers must be at least 5 full pages in length, use 12-point Times New Roman font, be double-spaced, and have
1-inch margins to avoid point reduction
● Papers must have a title that reflects your main argument
● Italicize all book and film titles; article titles should be put in quotation marks, journal names italicized
● Upload your paper to BeachBoard in the designated dropbox
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CSULB and FEA writing resources
If you feel you need extensive help to develop your writing skills or to revise drafts of your paper, consider using the
University Writing Center (UWC), which offers tutoring services and workshops for students across the campus and is
open via Zoom. For more information or to schedule an appointment, please visit
https://www.csulb.edu/university-writing-center.

 

Expert Answer